A Milesian tale is a genre of fictional story prominent in ancient Greek and Roman literature, it is a short story, fable, or folktale featuring love and adventure, usually of an erotic or titillating nature. It can be found in medieval collections of tales such as the Gesta Romanorum, the Decameron of Boccaccio, and the Heptameron of Marguerite of Navarre”.
One definition of this genre is: a type of first-person novel, a travelogue told from memory by a narrator, who every now and then would relate how he encountered other characters who in turn, told him stories, which he would then incorporate into the main tale through the rhetorical technique of narrative impersonation. This resulted in a complicated narrative fabric: a travelogue carried by a main narrator with numerous subordinate tales carried by subordinate narrative voices.
The best complete example of this would be Apuleius’s The Golden Ass, a Roman novel written in the second century of the Common Era. Apuleius introduces his novel with the words “At ego tibi sermone isto Milesio varias fabulas conseram” (“But let me join together different stories in that Milesian style”), which suggests not each story is a Milesian tale, but rather the entire joined-together collection. The idea of the Milesian tale also served as a model for the episodic narratives strung together in Petronius’s Satyricon.
Aristides’s Milesian Tale
The name Milesian tale originates from the Milisiaka of Aristides of Miletus, who was a writer of shameless and amusing tales notable for their salacious content and unexpected plot twists. Aristides set his tales in Miletus, which had a reputation for a luxurious, easy-going lifestyle.
Milesian tales quickly gained a reputation for ribaldry: Ovid, in Tristia, contrasts the boldness of Aristides and others with his own Ars Amatoria, for which he was punished by exile. In the dialogue on the kinds of love, Erotes, Lucian of Samosata, praised Aristides in passing, saying that after a day of listening to erotic stories he felt like Aristides, “that enchanting spinner of bawdy yarns”.
Though the idea of the Milesian tale served as a model for the episodic narratives strung together in The Satyricon by Gaius Petronius Arbiter and The Golden Ass by Lucius Apuleius (second century CE), neither Aristides’s original Greek text nor the Latin translation survived. The lengthiest survivor from this literature is the tale of “Cupid and Psyche”, found in Apuleius.
Aristidean saucy and disreputable heroes and spicy, fast-paced anecdote resurfaced in the medieval fabliaux. Chaucer’s “The Miller’s Tale” is in Aristides’ tradition, as are some of the saltier tales in Boccaccio’s Decameron or the Heptameron of Margaret of Angoulême.
So in short, erotic literature is certainly not new! Although I do not read this specific genre, I have written some ‘erotic’ scenes in The Twesome Loop. It was not planned but ‘directed’ by a couple of the characters.
Do you read or write erotica?