With a multiple of genres in my repertoire, I have utilized several book cover illustrators to achieve the best cover for each book. All of them have a unique style and process for creating the images. As an author the book cover is a vital tool to attract our readers. It needs to reflect in a quick and simple way the genre of the story and entice our readers to take a look.
Which cover(s) do you like?
Rumble’s First Scare
This cute little monster was the result of a mental image of mine. I asked Matthew McClatchie to bring him to life. This was achieved with my writing down a description of Rumble, as best I could and of the images for each page within the picture book. It took multiple emails back and forth until Rumble emerged. This is the excitement of working with a great illustrator, a mind meld as it were.
Ockleberries to the Rescue
I commissioned J.E. McKnight, a fellow author and artist to help me with this project as I required ‘real’ sketches of animals and Joe’s pencil and ink drawings were perfect for the chapter headers. We used nature photography for the majority of the images, as a basis for the images and a couple were a collaboration of my poor attempts at sketches and Joe’s interpretation of the subject.
Again, most of the images were in my mind’s eye but the protagonist was a ‘real’ girl, so I asked Linda J. Pedley of Wildhorse Creative Arts & Photography to help with the chapter header images. I described what each scene should incorporate and then Linda drew them in pencil and ink. Again, it is the worth of a great illustrator to draw what an author’s mind envisions.
Creature Hunt on Planet Toaria
I had such fun with this project as it was open to my imagination to create an alien world and who better to use than Matthew McClatchie’s unique technique? From my previous experience with Matty, I knew he would interpret my ‘mental images’ and badly constructed collages to make them come to life.
The Rython Kingdom
I found the illustrator for this novella via a Facebook friend. At the time, Winter Bayne utilized an online program for images and models. While working together we created the book cover from several different images I felt were important to the cover. Alas Winter no longer offers her services, so I am glad I got to work with her.
Unable to use Winter Bayne on this sequel, I was at a loss as who to turn to in order to achieve a similar cover. Luckily, through a Facebook contact I was able to connect with Wren Taylor Cover Design, who knew Winter. She utilizes the same sort of program and we collaborated well on the image to tie it to the first book with an orb shape.
The Twesome Loop
This image was again a collaboration with Winter Bayne, where I wanted several images merged. An olive tree, an old stone well and the lovers. She was able to find models dressed in period costume for the original couple in this reincarnation based romance.
Life in Slake Patch
I was vacationing in England when the original book cover was finalized for this novel, so emails were numerous. Linda J Pedley of Wildhorse Creative Arts & Photography managed to create a scene using multiple images I sent. Subsequently the cover was changed to the current one by Wren Taylor Cover Design to align with my other adult novel covers.
The Commodore’s Gift
Knowing the process and our mutual understanding I once again used Wren Taylor Cover Design to create the cover. It is the culmination of numerous images merged into my vision. There are many items within the cover that required closer inspection. Can you find them? A clockwork bird, a clock, a propulsion device, deep sea divers helmet/octopus, and a heart.
My current detective series has covers already designed by Wren Taylor Cover Design, but they will only be revealed once the trilogy is finalized and published. Yes, I know I’m teasing.