Apologies for my tardiness, as it was Thanksgiving weekend in Canada, I enjoyed a weekend away and just relaxed. This is not a bad thing, we all need to decompress regularly. Hence, I did not draft a blog post for today – so I am late.
The trip was to Lloydminster, which is unique in the fact that it spans the Alberta and Saskatchewan border. This may seem unusual, but when you add in the fact that Saskatchewan has an extra sales tax, you can imagine how residents and commercial businesses have to juggle what is paid where! We discovered a wonderful park with the city and enjoyed a leisurely walk with the dogs.
A super chance encounter happened on the way home, when we spied a herd of small ponies. They were curious and met us at the fence. This is why we travel the back roads
I wrote this poem to reflect my road trip experiences.
ROAD TRIP THOUGHTS
Road trips are a joy, incorporating
New places explored
Frequent wildlife encounters
Cherished memories to share
Increased expectation and excitement
A check list of essentials made
Local sights and attractions investigated
Reservations confirmed and paid
Double checked suitcase contents
Cooler bag filled with bottled water
Snacks bought to dispense
Extra footwear, jackets and sunglasses
Early morning start, packing the trunk
A double check before we drive away
Puppies walked, fed, then harnessed in
Breakfast our first stop along the way
Routes taken – off highway & gravel
Multiple stops for photo opportunities
This is the only way to travel
Wildlife and scenery abound
Arrival at our lodgings, truck unpacked
Dogs walked, fed then settled
Organizing of our spaces, preferences known
Comfortable companionship not meddled
Evening meal eaten, then to relax
Tomorrow’s adventure discussed
Reading and writing commence
Time is not rushed
An easy morning routine
New adventures and sights shown
Snacks gathered and packed
Our destination known
Do you have road trip memories you would like to share?
I hope you will be able to enjoy my latest podcast interview with Randy Lacy at Between The Lines. Here: I had a fun time talking story inspiration, books, hobbies, reincarnation and writing. As always I am open to questions, just drop me a line.
Once again thanks to Creative Edge Publicity for arranging this opportunity.
I have been avoiding another edit of book one of my detective trilogy, An Elusive Trail, for a month now. This is not because I have lost interest in it, but so I can ‘distance’ myself from the story a little. This will enable me to process the next editing/revision task better, allowing me to ‘see’ the narrative with fresh eyes. I have been through the draft three times already, but as we all know, there are always some things that are missed. This weekend I will use these ‘fresh eyes’ to do a thorough read through, while on a writing retreat. Unfortunately, this may be one the last retreats of the year – BOO! It all depends on the Albertan weather. So, I will take advantage of the time to write, edit, read and explore new places with Sammie.
I have upcoming Interview dates of 18th October and 6th November – so watch this space!
What are you working on?What is the genre?
Do you have a book launch you would like to share?
I’m so excited to share the new cover for my speculative fiction novel, Life in Slake Patch. Isn’t it beautiful? This is how I see Evan and Kate in the story. I love her expression of strength and determination. You can see how much Evan adores her by his gaze. Thanks to Wren Taylor Cover Design and my publisher, Dream Write Publishing for updating the front cover and revising the back cover too.
I was reminded of a book I read in school last week, as the star of the movie, Kes, a close adaptation of the book, turned 68 years old. In the movie he is a young boy! Yep, that was a shock!
I read the book in school and was devastated with how the boy and his pet were treated. It left an everlasting impression. Although, I knew the ending I did go and watch the movie when it came out. https://www.imdb.com/title/tt0064541/
I asked several friends, which book had an impact on them and several books were named. Watership Down, The Diary of a Young Girl – Anne Frank, and Lord of the Flies. These narratives affected us emotionally and that is why they stay with us many years later. It is something every author hopes to do with their stories.
Do you have a book you read in school that had a profound effect on you?
I was humbled and delighted to receive a wonderful review of The Commodore’s Gift last week, so forgive me for indulging as I share it once more.
Review by thereadera
Sometimes you stumble across a book, and, for whatever reason, your expectations are low. Could be an amazing cover, could be a previous book by the same author you were wholly uninterested in, could be a billion different things that individually are insignificant, but cumulatively . . . You turn up you nose. O, gentle friends . . . Do not do unto yourselves the same disservice I almost did unto mine. The Commodore’s Gift by Mandy Eve-Barnett is . . . exquisite. I almost didn’t read it. Indeed, the release date sneaked up on me, tapped me on the shoulder, and waved hello on Monday afternoon, and I joked to friend that I should at least update my status on Goodreads and pretend to be reading it . . . Six hours later, it was ten pm, and I was 40% in. I could not put this one down and finished the entire book in less than two days. Many novels tend to be repetitive and get bogged down in over-explaining everything. This novel, however, was a breath of fresh air. The author of this book did an amazing job of making this book completely addictive. I was enthralled with the Character the entire time. So far, The Commodore’s Gift by Mandy Eve-Barnett has taken me by surprise and kept it interesting the whole way through, to where I desired more and he continued to deliver. The lands are amazing, the characters interesting. They play a great role in shaping the world. There are many positives, but overall I’d say this is a good book held higher than most because Mandy Eve-Barnett is actually a good writer. She is creative and descriptive, and tells a story clearly and with a layer of her own action woven in. But I don’t think it’s half as good as many here make it out to be. End of the day, it’s another tale we haven’t seen elsewhere many times before. Highly Recommended!
1)Where do you find inspiration? Does place or observation, or both influence your writing?
Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.
Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.
Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.
Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.
2) You write short stories and poetry – what are your processes for each discipline?
The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.
At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems.
The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.
So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.
3)How does your creative brain balance with your critical one? In particular, your mathematical proofs.
The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.
4)Is creative writing your only creativity?
Firstly, please let me clarify that stories and poems are not the only things that I write.
I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.
Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.
5) Have your degrees influenced your creative work in any way?
Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.
I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.
The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems.
I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure and that they flow almost like a logical argument.
6)Can you enlighten us about your involvement in the spiritual community?
I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.
The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.
His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different!
7) What did you learn from your script writing venture?
I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached.
Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.
“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry, and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.
My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.
BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”
My friend, Linda, and I have been on so many road trips for writing retreats, attending books fairs and writing events in the last eleven or so years, that we have the preparation, planning, and execution of them down to a fine art.
This particular road trip, we are virtually attending When Words Collide as presenters, but it will be a fully literary trip, as we work on current projects, visit local libraries and bookstores, too. There will be day trips for exploring, watching wildlife and finding inspiration as always on the back roads.
We organize our trip, for the most part, in the same way each time. It is a tried and tested practice for us.
Road trip journal
Bird identification book.
Blankets, emergency kit, shovel, trolley.
Chargers, camera, sunglasses.
A bag for trash.
Plenty of water bottles.
In addition there are Sammie essentials:
Water and food bowls
A peaceful and beautiful location.
Options for where we can write – so a desk (or two) and two comfortable chairs, and a nice view.
Comfortable beds, ample lighting, space to spread out our things and a good shower.
A microwave, fridge and storage for food. Luckily, we both like the same foods.
And tea! (So there must be a kettle).
Notebooks and pens.
Current writing projects
Chargers, extension cord and power-bar (there are never enough power points).
New for this trip headphones with mic’s for the presentations.
How do you plan for a writing retreat and A road trip?