Apologies for my tardiness, as it was Thanksgiving weekend in Canada, I enjoyed a weekend away and just relaxed. This is not a bad thing, we all need to decompress regularly. Hence, I did not draft a blog post for today – so I am late.
The trip was to Lloydminster, which is unique in the fact that it spans the Alberta and Saskatchewan border. This may seem unusual, but when you add in the fact that Saskatchewan has an extra sales tax, you can imagine how residents and commercial businesses have to juggle what is paid where! We discovered a wonderful park with the city and enjoyed a leisurely walk with the dogs.
A super chance encounter happened on the way home, when we spied a herd of small ponies. They were curious and met us at the fence. This is why we travel the back roads
I wrote this poem to reflect my road trip experiences.
ROAD TRIP THOUGHTS
Road trips are a joy, incorporating
New places explored
Frequent wildlife encounters
Cherished memories to share
Increased expectation and excitement
A check list of essentials made
Local sights and attractions investigated
Reservations confirmed and paid
Double checked suitcase contents
Cooler bag filled with bottled water
Snacks bought to dispense
Extra footwear, jackets and sunglasses
Early morning start, packing the trunk
A double check before we drive away
Puppies walked, fed, then harnessed in
Breakfast our first stop along the way
Routes taken – off highway & gravel
Multiple stops for photo opportunities
This is the only way to travel
Wildlife and scenery abound
Arrival at our lodgings, truck unpacked
Dogs walked, fed then settled
Organizing of our spaces, preferences known
Comfortable companionship not meddled
Evening meal eaten, then to relax
Tomorrow’s adventure discussed
Reading and writing commence
Time is not rushed
An easy morning routine
New adventures and sights shown
Snacks gathered and packed
Our destination known
Do you have road trip memories you would like to share?
1)Where do you find inspiration? Does place or observation, or both influence your writing?
Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.
Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.
Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.
Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.
2) You write short stories and poetry – what are your processes for each discipline?
The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.
At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems.
The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.
So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.
3)How does your creative brain balance with your critical one? In particular, your mathematical proofs.
The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.
4)Is creative writing your only creativity?
Firstly, please let me clarify that stories and poems are not the only things that I write.
I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.
Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.
5) Have your degrees influenced your creative work in any way?
Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.
I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.
The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems.
I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure and that they flow almost like a logical argument.
6)Can you enlighten us about your involvement in the spiritual community?
I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.
The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.
His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different!
7) What did you learn from your script writing venture?
I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached.
Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.
“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry, and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.
My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.
BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”
When I unpublished these books, it was because I was embarrassed of the quality. But when I looked through them again, I realized my embarrassment had nothing to do with the quality of my work. It had to do with the fact that I wrote these books while I was still raw from my mothers passing. It had two years when she passed away when I started working on book 1. I had never written a novel before. I was a screenwriter at the time. I wanted to write stories without dealing with the competition. So, even though I thought writing a novel would be much harder, I switched to novels. Over time it became the format I loved.
As for why I decided to republish, it’s because I’m proud of every step I’ve taken to get where I am now and am excited for what the future holds for me.
Can you us tell about the stories and how the ideas came about for Unforgiven and All in the Family?
At the time the idea stemmed from my grieving process of my mother’s passing. Feeling as if my emotional state and process was quite different from my family. There is a scene in book one where the truth of why the family split up and kept Henry (main character) in the dark of the truth. My perspective of my family was rather negative and dark. Which is why I originally unpublished my work. It felt like I was using an outlet to deal with my frustration, anger, and morose state.
Somehow, as time went on, I saw these books as a much needed and healthy part of my past. That I dealt with my emotions in a creative and human way. Sure, the ideas came from a creative place, but at its core, it came from a tormented and lonesome place.
I believe our fears can create beauty.
On a more literal standpoint, Unforgiven is about Henry reuniting with his family. While questioning his life choices and how he will get himself and his family out of this chaotic mess. As for what the family business is, I will let that be a surprise.
Which genre do you enjoy writing the most?
Mystery. When I wrote book 1 of Boone and Jacque, I found joy in creating layers around the central characters.
Where did the idea come from to writer this fantasy series?
I wouldn’t consider this a fantasy series. It’s more of a thriller and suspense duology.
Do you have other books published?
Yes. My Urban Fantasy/Fiction series, Boone and Jacque. Book 1, Saddleton’s Secret, Book 2, The Brothers’ Odyssey are available on Amazon in paperback and kindle format. Book 3, Saddleton Haunting, will be out in Kindle format in early August. For paperback, sometime in September.
What is your writing background?
I did my Bachelor’s in Creative Writing at Kwantlen Polytechnic University. Besides books, I’ve written several poems, short stories, and research articles.
Do you belong to a writing group?
On Facebook: Author Nation, World Poetry Café; Author/Publisher/Editor/Book Readers, Start in Screen – Canada, BC Writers, Authors and Editors, and countless others.
Has the pandemic affected your writing/promotion? If so how?
Not at all. Overtime I’ve certainly evolved as a writer and adapted to change in life. But how often I write and put my work out there hasn’t changed.
However, the pandemic did make me let go of certain fears. One being fantasizing about things I want to do. For example, acting. Starting in August, I’ll be doing a three monthacting program. I don’t know where it will take me, but I’m excited about it.
Which authors influence you?
Good question. It changes over time. Right now it’s Leigh Bardugo, whom wrote the Grishaverse. She is the first fantasy writer to envelope me in the universe she created since I read Harry Potter. I’m not sure why, but something about her style is quite inviting.
I still look up to Stephen King, J.K. Rowling, Cormac McCarthy and Daniel Handler, but I’m expanding my horizons.
As you well know I write in multiple genres, so how do you choose which one to read? There are several options on where you can research a book and decide if it will engage you.
Local Bookstore Staff Picks
Friends and Family Recommendations
Purchase sites – compare reviews in the genre sections
As a last resort you can try:
Best Sellers, Prize Winners or Best Books Ever Lists – just remember these can merely succeed on an authors name, or through a massive advertising campaign. I know I was extremely disappointed in one ‘famous author’ book, which was badly edited because it was rushed into production.
Here are a few other things to think about. It maybe that there are certain writing styles that appeal to you or you find more enjoyable to read. These can be due to:
Pacing: How quickly does the narrative move? Is it a page-turner or is it a slow burn?
Characterization: Do you become engaged with the characters?
Story line: What is the orientation of the plot – character-driven, action-oriented, complex, fantastical or inspirational?
Frame and Tone: What is the mood of the book – heartwarming, thrilling, quirky, or dark?
Style: What is the author’s writing style – descriptive, expository, persuasive, narrative, technical or poetic.
How do you choose a book to read?
Do you have a ‘favorite’ genre?What draws you to it?
There are a number of ways that stories come to me, one is using writing prompts because they always spark ideas or images in my mind. Some result in a short story or, occasionally a poem, but others have become full blown novels.
I recently responded to the prompt below and the character emerged complete in my mind. I could see him walking along the sidewalk, and the effect he had on the people he passed. He may appear in a future novel – who knows. Some characters stay with me and after a time begin to demand attention. This one is mysterious and I am keen to know his backstory and his future plans.
Heads turned, chatter ceased and whispers began as the tall, dark clothed man strode along the high street. His focused gaze ahead, never glancing at the store fronts, or the recoiling of other pedestrians as he passed by. The summer atmosphere cooled as an ominous air pervaded his very being. The holiday town was used to many visitors but this one was different and dangerous.
Would you like to ‘meet’ this character?
One prompt that resulted in a published book was my novella, The Rython Kingdom, which was actually a series of prompts that combined into the basis of the story. The prompts were – blue beads, a beast and a medieval town. You can read the full story (and its sequel if you want) here:
Another inspiration are dreams. And the reason, I have a small notebook on my bedside table. If I don’t write it down immediately, the dream dissipates never to be remembered again. The opening sequence of The Commodore’s Gift was a snippet of a dream that just needed to be used in a story. At the time, I had no idea that Owena, would become such a integral part of the story and evolve into it’s central character.
Do you have questions about my writing inspiration? Please ask on the comments, I will be happy to answer them all.