How do you prepare for a book event? Can you share tips/knowledge/experience?
I happen to have two book events this month, which is exciting. The first one is Word on the Street in Lethbridge 21st September.
I have attended this event several times before and accompany my publisher, Dream Write Publishing. It is an outside event so there is the added preparation for any weather condition – wet, cold or hot. We have experienced all of them at this event, unsurprisingly as September weather in Alberta can be changeable to say the least. As always given the opportunity we have extended our weekend to four days so we can explore the area – back roads and hamlets missed by the highway A to B drivers.
The second event is Words in the Park, Sherwood Park, which is my official launch date for the anxiously awaited, Rython Legacy – the sequel to The Rython Kingdom. I have two tables at this event as I now have eight books to display plus promotional items. It was difficult last year so I will have to do mock-up’s of the full display and take photos so I can get it all set up with looking too cluttered. As I write in three genre’s I am thinking the display will be grouped in age sections. I have summaries of each book, which helps buyer’s to peruse the story lines. Each section will have different coloured table cloth – which worked well last year. I’m still planning obviously. I have found multiple tiered stands are a great way to increase the amount of room I have to display.
Below is last’s year’s display.
I would love to see how you arrange your book event display’s – please share in the comments after clicking on the headline.
The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings is at once artistic and literary. This anthology is a gorgeous testament to the Group of Seven, through the unique lens of twenty-one acclaimed flash fiction writers. – Each flash fiction story, (a brief, condensed, though fully realized narrative, written in under five hundred words), is paired with a lush full-colour reproduction of the painting that inspired it, showcasing both Canada’s historical artistic oeuvre with its contemporary literary artistic talent.
Where did the idea for this book come from?
The impetus for this book began as a writing prompt. I am always looking for interesting, layered prompts: a phrase, paradox, scenario, image, to inspire and formulate a story around. I happened to be walking my dog along Vancouver’s Jericho Beach early one frigid but bright wintery morning and was struck by the awesome beauty of the snow-peaked North Shore mountains looming across that stretch of ocean. I imagined that Lawren Harris would have wanted to paint that stunning vista, and in that glance, had the inspiration for my story. – It was only later, when conducting background research for my piece that I learned that the one-hundred-year anniversary of the Group of Seven was coming up in 2020. – A light bulb went off! The anniversary presented a wonderful opportunity to celebrate the enduring genius of these painters, in story. I contacted fellow flash fiction writers with the idea of putting an anthology together inspired by the landscape paintings of the Group of Seven and the enthusiasm for this project was immediately infectious. I wanted to put together a book that would both increase the profile and expand the reach of these iconic Canadian painters, while at the same time introduce art lovers to the marvels and delight of flash fiction.
Why flash fiction?
Flash fiction is the hottest rising literary trend in Canada. It is my current obsession. I have been on a maelstrom writing flash for the past three years. Each miniature story (flash fiction) is a delicious morsel, the flavours exploding with each bite. For me, flash fiction (always written in under 1000 words, and usually in under 500) is storytelling at its best. It draws the reader into another world engaging her in an immersive, evocative, and emotionally resonant experience, albeit for a brief moment in time; ‘for a flash’. Each miniature story is meant to delight, surprise and challenge the reader. There is often much hidden in between the lines and white spaces inviting the reader to return again to discover more in the layers of the story. And while each flash fiction takes only a few moments to devour, each story takes much longer to ‘perfect’, requiring a practiced skill in crafting, sculpting, editing, and polishing. I love the challenge writing flash poses, and the sense of satisfaction in completing a layered piece with a beginning, middle, and end, in a relatively short period of time. Relatively short compared to that of the traditional short story of 1500-3000 words, novella, or novel (which can take years to realize). The Flash Fiction community of writers and readers across Canada is exploding. Canadian literary magazines, journals, and anthologies now publish several flash fiction pieces in each issue, and flash fiction workshops and classes, both online and in house, can be found everywhere. I find this so exciting!
Why the Group of Seven?
When I first saw a Group of Seven painting, a Lawren Harris, I was gobsmacked. A stunning mountain carved like folds of butter, light cascading down upon its peak, pure and ethereal. I was immediately transported, somewhere deep, sublime, and otherworldly. My love affair with the Group of Seven began in that moment. As a university student living in Toronto in the 80’s, I had the opportunity to visit the McMichael Gallery in Kleinburg many times. The McMichael Collection even then, was remarkable and awe-inspiring. Over the years as I have discovered more of the Group’s landscape paintings in galleries, museums, books, and on-line. They have captured my imagination and heart for all these many years, transporting me into the story of the canvas and beyond. – I was inspired and driven to realize this book in celebration of their enduring genius.
How did you decide to pair the Group of Seven with Flash Fiction?
For me the match is made in heaven! The paintings are immediately perceived as storied, and the flash pieces are beautifully written, as if a painting. Both image and story invite the reader/viewer into another realm; a place of deep resonance and wonderment. Each read of the narrative, when paired with the layers, shadows, and textures of the landscape painting, becomes an immersive experience.
Each Contributor chose a landscape painting that inspired them, from a selection of Group of Seven paintings. Works by Tom Thomson and Emily Carr, both contemporaries of the Group, are also included in the book.
Who are the Writers/Contributors in The Group of Seven Reimagined and how were they selected?
Most of the Contributors are award-winning short story authors, several times over. They come from all regions of Canada, from coast to coast to coast, and three from the US, the UK, and AU, each with a distinct Canadian connection. I felt it was important to invite writers from across Canada who I thought would present a varied, distinct, and unique voice, and, be expert at crafting a miniature work of fiction. While Canada has so many brilliant short story writers, writing flash fiction presents unique challenges, i.e. excellent editing chops and concision, not every short story writer is comfortable with or interested in exploring.
I am a voracious short fiction reader. I read as many short story collections, journal, magazine, and anthology short fiction pieces as I could find, looking for a range of style, genre, and voice. Above all, I was looking for writing at a level of excellence. And of course, I found brilliant storytellers, and was excited by so many extraordinary works of fiction. It was also important that each person I invited to participate be more than enthusiastic about celebrating the Group of Seven and be inspired by their paintings.
I am thrilled with each of the writers selected. Mike Blouin, Carol Bruneau, Paulo da Costa, Alfred DePew, Tamas Dobozy, Valerie Fox, Travis Good, Mark Jarman, JJ Lee, Brett Loney, Lorette C. Luzajic, Yael Eytan Maree, Michael Mirolla, Isabella Mori, Nina Munteanu, Waubgeshig Rice, Robert Runté, Nina Shoroplova, Mireille Silcoff, Mary Thompson. Each one a consummate professional and joy to work with. Each writer has selected a gorgeous Group of Seven painting to inspire their story and each has contributed a marvellous flash fiction piece. The results and pairing are stunning. In addition to being the editor, I also have a flash fiction piece in the book.
Where did you get your training? How long have you been writing flash fiction? Have you always written, have you always wanted to write?
I think my path to becoming a writer is rather unique. I was sixty-two before I wrote my first story, ever. And I will be sixty-four before this book is published. I have never written fiction before. Never even tried. My writing up until very recently has been academic and analytically focused. I had done some journal writing intermittently as process-writing, but that’s it. Back in high school I wrote my final English exam interpreting a poem about the Tree of Life, referencing photosynthesis/ chlorophyll / life cycle / and the ecosystem. I was clearly off the mark. Words and imagery, conveying personal experience through metaphor or simile was not my forte, comfort level, or inclination.
Since beginning to write fiction three years ago, I have been published in twenty-five international literary journals, magazines, and anthologies, and have more in the queue.
My training is in Psychology. I am a seasoned Family Therapist. Decades of ‘being fully present’ in the therapy session has made the transition into writing surprisingly seamless for me. As Pulitzer Prize winner Robert Olen Butler describes, ‘writing takes place in the Dreamscape’. Being fully present in this ‘Place of Solitude’ is where writing is best explored and fashioned. I enjoy this space. It is where I am most myself. And it is where I create from.
I discovered flash fiction reading journals and magazines online. There is a dynamic global flash fiction community. I read flash fiction journals regularly and enjoy discovering new writers (new to me) – the talent out there is magic. I quickly found online workshops teaching flash fiction and have participated in many three-day, ten-day, and monthly workshops, and continue to enrol in one every month or two. The workshops are lots of fun, generative, and attended by highly creative, respectful, and generous writers. I’m totally hooked.
What do you enjoy most about editing?
Cultivating a relationship with the writer is a must for the editing process to be successful.
Pulling back to the barest of form and arriving at clarity is what motivates me in editing. I love the process. Finding increasing precision in word choice is my kind of fun. I delight in the concision, word craft, play, and intentional word choice used to create imagery that resonates and evokes an emotional response in the reader. My tool is a thesaurus. I clean up a piece to reveal its essence, letting it take center stage and shine. Presenting a re-configured or revised passage to a writer who chooses to accept it, is the ultimate satisfaction for an editor.
I have a lot of ideas, although only two have reached the planning stage. 1. A flash fiction anthology similarly structured to The Group of Seven Reimagined, ekphrastic writing, – flash fiction inspired by visual art. This time showcasing the surrealist and magic realism artists Leonora Carrington, Remedios Varo and Kati Horna. and 2. A collection of flash fiction, all my own pieces.
I am exploring how to approach this next project differently. It has been enormously expensive to put this book together. The cost of permissions and licenses from Art Galleries, Museums and Estates to use hi-res reproductions of the paintings in the book has been almost prohibitive. This expense comes out of the author’s / editor’s pocket; the publisher does not absorb this cost. Having a sponsor/corporate interest would help move this next project forward. It is something I’m looking into.
The Group of Seven will launch in Vancouver in October, and in Toronto in May – details on Vancouver and Toronto launch coming soon – if you would like to receive an invitation to attend either Launch party, send an email to email@example.com with ‘Vancouver Launch Invitation’ or ‘Toronto Launch Invitation’ in the subject line. We are going to celebrate!
Karen Schauber is a Flash Fiction writer obsessed with the form. She has been on a maelstrom writing since she was first introduced to this brief condensed short story form three years ago. Her work has since appeared in 25 international literary magazines and anthologies, including Brilliant Flash Fiction, Bending Genres, CarpeArte, Ekphrastic Review, and Fiction Southeast. The Group of Seven Reimagined: Contemporary Stories Inspired by Historic Canadian Paintings, celebrating the Canadian modernist landscape painters, is her first editorial/curatorial flash venture. Schauber runs ‘Vancouver Flash Fiction’, a flash fiction Resource Hub and Critique Circle, and in her spare time, is a seasoned Family Therapist. A native of Montreal, she has called Vancouver home for the past three decades.
Today’s question is: What steps do you take for a book launch?
Obviously, there are a multitude of on-line tips and many books & blogs covering this topic but have you found a creative way to get your new book noticed?
My new novella, Rython Legacy will be launched at Words in the Park on 28th September after numerous readers requested a sequel the The Rython Kingdom. It’s a nice problem to have – pressure from readers that’s for sure! I have spent time and effort writing the novella, finding a great illustrator and taking advice from my editing team. So my tips are:
Tease your readers with a cover reveal.
Create blog and social media posts regularly leading up to the launch.
Notify your readers of the new book launch venue with date and time.
Have sign by the author stickers and several pens.
Decorate your table to reflect the book’s theme/topic.
Now it’s your turn, please leave your responses in the comment section below.
Alis the Aviator was initially inspired by my son. Andre was two years old and a very wiggly, spirited kid who loved airplanes – but couldn’t sit through long books. I’d just published my second popular aviation history for adults, and had so many fun facts swirling around in my head. I sat on the back porch of my house one day when he was napping and most of the first draft poured out onto the page in the bouncy, rhyming style I love from growing up with Dr. Seuss.
How did you come up with the title?
Alis is based on the real-life Dr. Alis Kennedy, likely the first Indigenous woman in Canada to get her private and commercial pilot’s licenses. I found out about Dr. Alis after I’d completed the ABCs of the book, and then was able to layer in her inspirational story in the bio. Dr. Alis has flown planes, but also is a veteran with a doctorate in psychology, who now dedicates her life to amazing volunteer causes around the world.
Is there a message in your book that you want readers to grasp?
I hope that little kids – especially girls – read the book and feel like aviation is a dream they can pursue. The illustrator, Kalpna Patel, did such an amazing job getting the people in her cut-paper art to reflect the incredible diversity we have in Canada and the US. The number of girls and people of colour in aviation is tiny, unfortunately – and I recently learned that only about 1% of all picture books feature Indigenous characters. I hope kids of all backgrounds see themselves reflected in this book!
How much of the book is realistic?
This book is 100% fact-based. It’s a nonfiction picture book that incorporates my years of aviation history research, but presents it in a colourful and quirky way to hopefully capture the imaginations of tykes and their grownups.
Do you have plans for your next book? Is it a sequel or a stand alone?
I have a few manuscripts in the works. The one I see following on from Alis the Aviator is a picture book biography of the pioneering Gwich’in pilot, Freddie Carmichael. We’ve known each other for ten years and it was incredible spending a week with him in Inuvik this past March working on the book. I can’t wait to share his story with the world!
Do you favor one type of genre?
I write across genres and audiences, which can be tricky from a branding perspective! So far I’ve published nonfiction for adults and kids, but I’ve got two novels in the works (a WW2 book and an upmarket contemporary novel). I’ve also been researching and writing a book about the Charles Camsell Indian Hospital that is part memoir and part history.
Do you plan your stories, or are you a seat of the pants style writer?
I’m a plantser – half and half. It really depends on the project. With my picture books, it’s like writing poetry or songs. I do a ton of research and thinking and then the first draft pours out of me in one or two sittings (with multiple rewrites and tweaks). With my adult popular histories it was easier to plan out ahead of time because I had most of the research done and they were chronological. But even then there were surprises! My novels and creative nonfiction are somewhere in the middle because they are largely based on research and real-life events.
What is your best marketing tip?
It’s also my best writing and life tip! Make friends. Join communities. Be a good literary citizen. Remember that high tides raise all ships.
Do you find social media a great tool or a hindrance?
A little of column A and a little of column B. Or a lot of each, actually. Social media has been a great way to connect with people around the world – especially as I move around so much. I learn so much through those channels as well. At the same time, it can have a toxic quality to it full of judgment, comparison and shaming. I find if I think about it too much it can have a silencing effect, because I worry too much about what other people will think of me. And, like the news, it can be devastating and overwhelming, so I have to be careful how much I take in.
What do you enjoy most about writing?
It’s hard to pick just one! While it’s true that sometimes it can make me cry with how challenging it can be, with how exposed I feel, there are those times when I’m in the flow and it’s like all is well. I’m in alignment. My words come out and I feel that maybe I will be understood and seen.
What age did you start writing stories/poems?
My parents saved the clippings from when I was a kid – so there’s (often embarrassing) proof that I was scribbling little stories and poems from a young age. I created a little zine in my neighbourhood with friends when I was in elementary school and then was co-editor of a school newspaper in middle school. I think I published my first letter to the editor in the Ottawa Citizen in Grade 8 – then I was totally hooked on bylines!
Has your genre changed or stayed the same?
I have jumped all over the place – poetry, fiction, nonfiction, kidlit and freelance writing for magazines and newspapers. They all feed into each other in interesting ways, I’ve noticed, and taught me different lessons. Freelancing was excellent discipline for hitting deadlines and pitching ideas, and not taking edits personally.
Do you belong to a writing group? If so which one?
I belong to several writing organizations: the Writers Union of Canada, Creative Nonfiction Collective, and the Society for Children’s Writers and Illustrators. I was a member of the Writers Guild of Alberta for five years and it was excellent – I still miss it! I’ve created two critique groups since moving to Houston. One is online-only and focuses mostly on creative nonfiction. Members span from Canada to California to Texas. The other one is in-person here in Houston. I realized it’s not natural for me to write in a cave all the time!
Do you see writing as a career?
Actually, I see it as more of a compulsion. A job you can quit. This is forever. My son (who is now 7 years old) asked me the other day, “Mama, will you ever stop writing?” And I told him, “As long as the stories and ideas keep coming, I’ll keep writing.”
Where can readers find you on social media and do you have a blog?
If readers would like to connect with me, they can find me at my website (www.daniellemc.com), and on social media: @Danielle_Author on Twitter, @dmchenail on Instagram, and Danielle Metcalfe-Chenail on Facebook. I also have a blog dedicated to my Camsell Hospital research, www.ghostsofcamsell.ca.