Category Archives: publishing

Author Interview Eva Blaskovic


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  1. Does writing energize or exhaust you?

Traditionally, it energizes me, but not because it’s easy. Transcribing from images and feelings to the right words takes blood and sweat, no matter how well I know my story.

I’ve worked under schedules that have exhausted me, though.

  1. What is your writing Kryptonite?

Kryptonite weakens Superman, brings him to his knees, makes him unable to go on. For me, that has always been my work hours, which have not only been odd, keeping me out of writing groups and events, but also long. Determined to find a way to improve my writing skills and become part of a writing community, I connected with writing instructors and industry experts through international online courses since 2006. It was a community I could interact with by leaving messages in the middle of the night when no sane local person was awake. It has taken superhuman effort to write my first novel during many upheavals in my life and three jobs at a time, but I was determined to do it.

The second Kryptonite would be my fiction writing speed, which is much slower than my non-fiction speed. Taking part in NaNoWriMo means committing several hours a day to make the 1,667-word daily quota, plus writing about 12 hours on Sunday. I ultimately “won” NaNoWriMo in 2014 with over 50,000 words in 30 days while working six days a week.

  1. Did you ever consider writing under a pseudonym?

I’ve looked into why some authors do it. Sometimes it’s because what they write conflicts with their job or image. Others simply want a name that sounds good and is more likely to sell than their real name. Still others want to cover their gender to prevent publisher or reader bias.

Using my real name just makes sense to me, even if it doesn’t have the eloquence and appeal of a best-selling author name. Or I could be Klára Dvořák.

  1. What other authors are you friends with, and how do they help you become a better writer?

My first author connections were international, mostly from the US and UK. As a single mom, I was working through all the local author meetings and event times. I couldn’t be anywhere in person unless it was in the wee hours of the night. Thanks to the Internet, I had an extensive online community before I ever became involved locally. Even now, I miss all weeknight meetings, and I’m lucky if I can make a Saturday event. Fortunately, I know a small number of local authors (Edmonton, Sherwood Park, St. Albert, Morinville) with whom I meet in person several times a year. I wish I could meet with the Writers Foundation of Strathcona County (WFSC) a lot more often.

More recently, my daughter, Leslie Hodgins, has published her first book, Rebel Destiny. It has been wonderful talking “shop” with her.

Author friends and instructors have helped with feedback on my writing, with knowledge of publishing, graphics, promotion, and events. But mostly, it just feels good to be in the company of other writers and be able to talk about writing or read their work. Special mentions go to Mandy Eve-Barnett and Linda J. Pedley.

  1. Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

Right now, I have a published novel that could stand alone, although I have started writing a companion novel/sequel to expand on some of the situations mentioned in the first book.

The two other books in progress are stand-alones.

  1. What was the best money you ever spent as a writer?

The absolute best money I ever spent was on writing courses in 2006 to 2012, which gave me access to professional critiques, editing, and communication with instructors who had worked as acquisition editors in publishing houses, instructed Fine Arts programs at universities, wrote for well-known magazines or publishers, and/or traditionally published their own books. These courses and individuals helped me hone my craft. After that, the best money I spent was to Dream Write Publishing.

What was an early experience where you learned that language had power?

When I was very young and said something stupid that couldn’t be taken back with an apology.

Later, in school, I couldn’t impress anyone with my writing or verbal presentations—neither teachers nor students. A few teachers gave me credit for my mechanics, though, especially in writing dialogue.

Only once ever, in the final year of high school when I answered a child development/perspective question during a discussion period, did the class, much to my amazement, clap. (I was a nobody in school, so that was kind of a big deal.) I guess that’s the one time I can actually say I had insight beyond my years and an ability to get into the developing brains of children and youth, and actually advocate for them. That ability later became the foundation to my job, my parenting, and my writing, but the credit for it goes to my mother.

  1. What’s your favorite under-appreciated novel?

I can’t even begin to say.

  1. As a writer, what would you choose as your mascot/avatar/spirit animal?

Interesting question. I never thought about it and can’t answer this question even after months of pondering it.

  1. How many unpublished and half-finished books do you have?

Three fiction books and a parenting/educator handbook.

  1. What does literary success look like to you?

VJ Gage (January 2018) described it like this: “It would be that many thousands of people have read and enjoyed my books. I would want them to say they could not put my books down and that my plots are unique and clever, and that I have a great imagination.  Then I would like to make lots of money.”

Writing a book is a heck of a lot of work, and prepping it for publication is a heck of a lot of work on top of that. With that in mind, it would be nice if my book had some traction, both in terms of readership, literary credibility, and sales. That’s just the reality of life. Anyone can write for the joy of it, but to make a book and keep making them needs some form of return.

  1. What kind of research do you do, and how long do you spend researching before beginning a book?

It depends on what kind of book it is. For my first book, the events, relationships, interviews, and readings from my whole life, distilled, were my research. When I needed more, there was the Internet. I researched the psychology of grief in real life as well as through literature.

For my fantasy and supernatural books, the process was different, since the decision to write each was sudden. But I did research locations, clothing, tools, mineshafts, etc.

Research can be done at different stages: before writing, at the beginning of writing when you come across something you need to know, and toward the end to verify or adjust information.

With non-fiction, though, the brunt of the research and organization comes up front.

  1. How many hours a day/week do you write?

When I do get to write, it’s a marathon. I’ll write until it’s done (an article or short story), or until I drop. In the past, I had written for 17-20 hours a day for many days straight when writing novels. Unfortunately, this kind of time was rare and usually took long weekends and holidays.

I often can’t go near a novel (first draft or revision) unless I’m guaranteed an uninterrupted three to four hours at a stretch.

I do not get distracted by social media or anything else during these times. It’s very intense focus.

  1. How do you select the names of your characters?

*Evil grin* I steal and collect names. I’ve had some sort of protagonist for as long as I can remember. He—yes, always he, though not the same one over my lifespan—often came with a family and a community of friends. These people needed names, so I was always writing down and saving names I liked. Nowadays, I search baby name lists as well.

It’s a little more difficult with last names. I have to be more careful.

  1. What was your hardest scene to write?

One of the oldest yet hardest scenes to write was the first climax in my published novel. I grappled with it for over five years. It has been rewritten more times than any other scene in the book.

Beyond the Precipice

  1. Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?

I’ve always written a form of reality fiction or literary fiction. My novel took on a psychological theme because I guess that’s what I know best.

As a child, I watched sci-fi, but I wrote adventures and was particularly interested in outdoor survival stories—for which I had no hands-on experience, and Internet research was still a good twenty years away. The nifty thing about living life is that you gain experience whether you want to or not. One day, I was finally in a position to write a book, but it was about a different kind of survival—more internal, more cerebral.

I wrote a fantasy adventure for NaNoWriMo 2014 because I could make that form of writing go much faster.

Each genre and book is so different that it’s hard to mix anything up because what belongs in one story doesn’t belong in another.

Random ideas for any story can be written down at any time. However, in order to complete a book properly and give it the best continuity of style, foreshadow, and character, it’s best for me to immerse myself in one book during the processes of revision and preparation for publication.

  1. How long have you been writing?

Since before I could form letters. Then, during my childhood and right through university. I took a hiatus after marriage and while the kids were small. Writing was difficult to justify because I couldn’t produce anything worthwhile. I was alone with my passion until the age of the Internet, when I could seek help from people outside of my immediate geographical location. In 2006, online writing courses made it possible for me to connect with writing experts who taught me how to write novels (and articles) properly. Over the next decade, I began to find books and articles with valuable information for the professional writer. I educated myself as much as I could, conferred with my writing mentors, and practiced, practiced, practiced.

  1. What inspires you?

Anything in life, real or fictional, can be an inspiration or become a part of a story. Authors see potential stories and character traits everywhere.

  1. How do you find or make time to write?

There has only ever been one way, and it is not healthy: sleep less.

  1. What projects are you working on at the present?

I began working on Beyond the Music (companion/sequel to Beyond the Precipice), Druyan (fantasy adventure), Ironclad (supernatural adventure), and a parenting/educator handbook. However, they are on hold indefinitely.

  1. What do your plans for future projects include?

I would have to finish the above projects first, unless I got an incredibly hot new idea that pretty much wrote itself.

  1. Share a link to your author website.

My website link is https://evablaskovic.com/.

Thank you, Mandy, for this interview.

Eva

 

 

 

Genres of Literature – Pulp Fiction


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The term ‘pulp’ comes from the cheap wood pulp used to print the inexpensive fiction magazines first popularized between 1896 through to the 1950’s. During this time a typical pulp magazine consisted of 128 pages on paper 7 inches wide by 10 inches high with raged, untrimmed edges.

The term pulp fiction became synonymous with run-of-the-mill, low-quality literature. They were the successors of the penny dreadfuls and dime novels, known for their lurid, exploitative and sensational subject matter. Many contained stories of superheroes, such as The Shadow, Flash Gordon and Doc Savage.

Frank Munsey’s Argosy Magazine of 1896 is seen as the first pulp fiction publication with 192 pages and no illustrations, even on the cover. It combined cheap printing, cheap paper and cheap authors in a package that provided affordable entertainment to young working-class people. In six years, Argosy went from a few thousand copies per month to over half a million.

Next on the market was Street and Smith, a dime novel and boy’s weekly publisher with The Popular Magazine in 1903, boosting 194 pages. It’s success was increased when they serialized Ayesha by H. Rider Haggard in 1905. His Lost World genre influenced many key pulp writers including Robert E. Howard, Talbot Mundy and Edgar Rice Burroughs. In 1907, 30 pages were added to each issue, the price increased by 15 cents and a stable of established writers proved successful. The next innovation was introducing specialized genre pulps within each issue. Popular titles were monthly, many were bimonthly and some were quarterly.

The peak of popularity was in the 1920’s and 1930’s with the most successful pulps selling up to one million copies per issue. Although, by that time there were some 150 pulp titles, the most successful were Argosy, Adventure, Blue Book and Short Stories., collectively known as “The Big Four”.

Primarily and American publication there were also a number of British pulp magazines published between the Edwardian era and World War II. These included the Pall Mall Magazine, The Novel Magazine and The Story-Teller.

Pulp magazines began to decline in the 1940’s, due to paper shortages during the Second World War, when smaller and thicker magazine publishers began publishing  paperbacks, comics and digest-sized novels and the heavy competition from comic books, television, and the paperback novel.

When the primary distributor of pulp magazines, American New Company liquidation it was seen as the end of the pulp era. By that time many of the famous pulps were defunct, leaving a few specializing in science fiction or mystery in the digest size format.

Have you read or written ‘pulp’ fiction?

I am happy to be a guest on Stephanie’s blog today:

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Happy Sunday, writers and readers! I am so pleased to introduce you to writer Mandy Eve-Barnett! We connected several years ago, as we both are writers and bloggers. Being in touch with and staying current with other writers is important as it helps push you and keeps you abreast of what others who share the […]

via Guest Blogger: Author and Writer Mandy Eve-Barnett on NaNoWriMo — Steph’s Scribe

Genres of Literature – Multiple Genres. How to Promote?


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Today’s post is more personal as I am a multi-genre author. I would welcome your comments on how you brand, promote and market when writing multi-genres.

The definition of ‘writer’ is
1. a person who has written a particular text.
2. a person who writes books, stories, or articles as a job or regular occupation.
3. a person who writes in a specified way.

As you can see the definition predisposes that a writer will create narratives in a specific way or genre. However, what if a writer wants to write the ‘story’ not the genre?

As many of you know, I am a multi-genre author, where the story is the motivator not the genre. However, there are some obstacles to this due to the ‘business’ side of writing. Mainly, how to promote myself as opposed to the genre I have written?

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I have read many ‘book promotion and marketing’ articles, all of which target specific audiences for genre. You can easily target one genre, such as romance, thriller, and mystery but how do you cross genre lines in promotion?

One answer is to link your name to an organic and dynamic brand that’s based on you and arouses a positive, emotional experience for your targeted readership – regardless of genre. So in essence you will need to develop a strategy to create a hybrid solution of your own.

Another option is to write a book that will appeal to the fans of your new genre and not the fans you already have. The plot, cover, and blurb should all be consistent with the genre you want to write in. This can be accomplished by adding your own flourishes to the genre.

You have the ability to create your own style, and unique voice by combining recurrent themes, character types, settings, and ideas that make up the familiar elements characteristic to your writing. You can tie a common thread between all the genres you choose to write.

It is much less about genre, and more about what readers have come to expect in your books/writing. It’s in the way you do it–as well as how it’s perceived and interpreted by your audience.
Let’s take a look at how writing in more than one genre is a benefit:
• It requires different strengths and allows you to push your limits and abilities–learn, test, experiment, polish.
• It lets you explore your wider interests without limitation.
• It allows new writers especially to explore various genres before determining the right “fit” for their style, voice and passions.
• It is often not a conscious decision–many writers are compelled to follow the Muse.

So what are the Pros and Cons?
Pros:
1. Writing what you want
It is wonderfully fulfilling to explore new ideas and create something new that challenges you in unique and exciting ways.
2. Wider audience
Writing a new genre may attract new readers, who wouldn’t have found your work otherwise. And hopefully they will check out your previous works thus cultivating a broader, wider readership.
3. Versatility
Being versatile will sharpen your skills as a writer and may attract a publisher in that genre or other new opportunities. Your ability to handle a variety of genres is always a plus.
4. Broader community
While writing in new genres and categories, you will get to know other writers in that genre and extend your writing community in the process.
Cons:
1. Losing readers
This is obviously the biggest con of switching genres. Your current readership may not pick up your new book at all as they consider you a writer in a particular genre and may be more discerning about picking up a title of yours in the future.
2. More juggling
Writing in multiple genres requires more juggling with your marketing and promotion as you need to change from one single cohesive marketing plan into two or more. And if you’re working on multiple projects at once, you’ll have to handle multiple publishing deadlines, contracts, etc.
3. Multiple brands
The worst case scenario is having to start a completely new brand for the ‘other’ genre. You may need to write under a pen-name and devote time to building that platform. It could be you start from scratch in your branding, or utilize your platform in a broader form. To do this you need to find the common ‘theme’. (Not an easy task I might add!)
4. Writing confusion
The other challenge is juggling multiple genres from a writing perspective and requires a lot of hard work and skill to accomplish successfully. Each genre has its own conventions you need to establish and refine using vastly different voices traits and tones, while meeting readers’ expectations.

More recently, many alternative genres have been created, which combine genres into a sub-genres. For example, romance readers would never go to the horror section first but if the description was something like – romantic suspense – then maybe they would pick up your book. This has enabled authors to promote their books in one or more genres.
I have investigated what my ‘brand’ or ‘theme’ is in my writing and after quite some time realized it is a basic theme of love – be it romantic, parental, friendship or some other kind – so in essence I can use that title within the more traditional genre headings.
It is a matter of looking at your story and defining the main theme, even if it is an underlining thread throughout the narrative. My novel, Life in Slake Patch is an alternative world order but basically has a young man trying to change the ‘laws’ so he can be with the woman he loves. It can be described as speculative fiction but romantic speculative fiction is better.

 

My novel, The Twesome Loop is also romance but has an added reincarnation element as well as set in England and Italy, so is it romance alone or do I possibly create a sub-genre: suspense romance? As I am writing, I realized another sub-genre would fit my fantasy, The Rython Kingdom, which is set in medieval England, has a romance and a master plot by a vengeful witch so maybe it is fantasy romance?

Do you write multiple genres?

How do you promote them? Separately or within a broader brand under your name?

 

Author Interview – C. A. Asbrey


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CA Asbrey

Does writing energize or exhaust you?

It definitely lights a fire under me when I have a tale which wants to come out. I can sometime stay up until 3-4am if I have to finish a scene. At other times I can agonize over a phrase or sentence and before I know it the day has gone and I’ve only written a paragraph. I miss it when I can’t write.  

What is your writing Kryptonite

Emotional upset for sure. My last book took me a year to write as I was distracted by my husband being injured in an accident and my mother-in-law passing away from a long illness. I was very lucky to have a lovely mother-in-law. She is sorely missed.

Did you ever consider writing under a pseudonym?

I kinda do. I write under my married name and feature on social media under my maiden name for social interactions. I also write under initials. I don’t hide my gender, but it’s not immediately obvious when you look at the book cover.

The Innocents

What other authors are you friends with, and how do they help you become a better writer?

I’ve met many wonderful people on this journey and I’ve found them to be an incredibly generous and open community. I’d really encourage new writers to reach out and make contact. Not only will you find that they share resources, but you’ll probably make all kinds of new friends too. There are too many to mention but Kit Prate and Joanie Chevalier deserve a special mention. Both have been so supportive and inspiring to a brand new writer and have gone the extra mile in helping me cross over so many barriers. Kit introduced me to her publisher after reading my work, and helped me out of the slush pile. Joanie helped to point me towards the various groups which help a new writer with marketing and publicity. Not only that but she actually made up some advertising material and told me to ‘get my swag on.’ I was being far too Scottish—reticent and unwilling to look like I was bragging by saying my book was good. Both ladies have been incredible and I can’t thank them enough. Read their books and you’ll soon see how lucky I was to be assisted by them.

Do you want each book to stand alone, or are you trying to build a body of work with connections between each book?

‘The Innocents’ is definitely meant to be part of a larger body of work. It’s the first of a trilogy, but if people like them there’s plenty of scope to keep them going. I would still continue with each book being a self-contained mystery with the larger universe of the characters providing an over-arching connection between the books. The third book is written and at editing stage, but there are plenty of trials I can still put the characters through yet. 

What was the best money you ever spent as a writer?

So far it’s been on editing. I’ve learned so much from every bit of feedback given to me and I they all go towards making me better writer. That said there’s been free advice from other writers. As a newcomer to the writing community I have found great generosity of spirit and so many people have shared some of their valuable time to help me. I’ll be very happy to pay that forward. On another note I have just spent some money on publicity. I’ve yet to see how that will work. That may be my new enthusiasm if it really pays off.   

What was an early experience where you learned that language had power?

That would be in my work as a young police officer. I learned that talking people down from spiraling emotions is a powerful tool in keeping people safe, and more potent than violence. I also learned that listening to detail is vital too. Noting the small things helped to push cases along in gathering evidence. I also learned the complex and intricate ways people use language to put you down and grab power in a situation. Understanding that really helps you stay in control of a situation. It’s useful for a writer to grasp that and be able to shift the dynamics in a scene through clever use of words.

What’s your favorite under-appreciated novel?

That would have to be ‘The Moonstone’ by Wilkie Collins. Not only is it considered the first proper detective novel in the English language, it also shows working class females as rounded characters instead of foils for male attention. It also is the first to introduce many of the elements we take for granted in mysteries such as red herrings, false suspects, the skilled investigator, and a final twist. Collins was actually vastly more popular than Dickens in his day, but is now largely forgotten in comparison

As a writer, what would you choose as your mascot/avatar/spirit animal? 

Lol, maybe a giant sloth? Or one of those dogs or cats which go viral for bumping into glass doors or falling off things.

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How many unpublished and half-finished books do you have?

‘The Innocents’ has been written and re-written to death. It’s probably in about its tenth incarnation. The second book in the trilogy was launched on 26th July and the third is at the editing stage before being submitted for publication. I have numerous other mysteries plotted. It all depends on public demand on whether or not I continue the series or write them as standalone mysteries.

What does literary success look like to you?

 To have people read and enjoy my stories. I make no pretence at literary genius or at writing anything worthy. I write stories which I hope people will enjoy.

What kind of research do you do, and how long do you spend researching before beginning a book? 

Copious amounts. ‘The Innocents’ has taken years of research into the work of the early Pinkertons, especially the female agents and the kind of work they did, including their methodologies. I research everything, even the stationary which was in use and the correct codes for the telegraph stations mentioned in the books. The forensics are fascinating to dig into too. You name it I researched it. Everything which influences every aspect of the stories. Abigail’s ability to disguise herself and alter her accent is taken directly from reports on the skills of the original female Pinkerton, Kate Warne. The theatrical make up and wigs were also true to the period. Stage make up had been primitive earlier in the century, but better stage lighting revealed a need for far better make up techniques, products, and prosthetics. Greasepaint was invented in the 1860s by Ludwig Leichner, building on the work of Karl Freidrich Baudius (1796–1860) in the 1850s. Lighting also improved costumes and acting techniques. It drove a desire for more natural representations in every area, simply because people could see the stage more clearly. Crepe hair went out and quality wigs came in. Colors were mixed to mimic skin tones and classes in their application were popular in the acting profession. Latex wasn’t invented until 1920, but prior to that rubber was moulded or even applied to a light fabric backing. When it was the right shape it was expertly painted to look exactly like a nose, dewlap, bald cap, or any other body part. I even researched whether someone with as much hair as the average Victorian woman could wear a short wig. The answer came from a young woman who enjoys cosplay – and she explains online how to pleat her long thick hair and coil it flat under the cap before putting the short wig on. It absolutely IS possible. I was really surprised to find how many really strange crimes and mass murders from the past seem to have been forgotten by all but a few. The past is littered with remarkable characters; honest and dishonest. There are cross-dressers, madmen, greedy people, selfish people, arrogant people, and clever people on both sides of the law. I was also conscious of how often history repeats itself and how themes come up time and time again as history stratifies the same issues and concerns time and time again. I was also impressed by the dedication of a few clever people who worked to catch criminals and close down their attempts to cover their tracks.

How many hours a day/week do you write? 

I have no set timetable. I wish I was that organised. Some days I write into the wee small hours, other times I can be researching and go down the rabbit hole following some amazing character or story. In the end all of it is productive and results in a story though. The actual process of writing is only the end of a longer mechanism. The invention has to come first.

How do you select the names of your characters?

As I write 19th century characters I try to keep them in period and maintain a sense of place. I’ll research popular or unusual names as well as using names of people I know if they’re appropriate. I’ve also been known to add really unusual names to my note as I come across them. Some are too good not to use.

What was your hardest scene to write?

The interrogation scene. I had to inject a sense of menace into it to make it work. I know it’s not usual to make your hero do bad things, but he’s a professional criminal and he has to find out who this mysterious woman is and how much danger the heroine poses to him. It disturbed people who initially saw this as a straight romance, which it isn’t. 

Why did you choose to write in your particular field or genre?

I only write mystery. I loved them right from the start because the reader can play along with the story. There are rules to writing a mystery, and the writer has to keep to them if the reader is to be able to play along. The story has to keep moving, all the clues need to be available and the plot needs to be convincing. The rules were set out in ‘The Detective Club’ which featured members such as Agatha Christie, Dorothy Sayers, G. K. Chesterson, and E. C. Bentley. Not all the rules hold true today – for instance rule 5 states, “No Chinaman must figure in the story.” That I simply a ridiculous premise today. Agatha Christie broke rule 7 “The detective must not himself commit the crime” but they still provide a framework for the modern mystery writer. The method of murdering the victim must be a robust and feasible technique and not invented or spurious. The motive for murder in a whodunit should be personal, and not an act of war or part of a professional hit. That takes the killing into a different genre of writing. Many of the old rules say that a twin or a servant cannot be used as the murderer, but those rules have also been broken in modern writing and shown to be no longer relevant.

How long have you been writing?

I’ve been playing with this story and universe since 2008. It looks like I’m a slow developer. I started writing seriously about two years ago and spent about a year being turned down by everyone. I acted on every bit of feedback and continually got my work reviewed and improved until it was polished enough to be accepted.

What inspires you?

Anything and everything. I can meet someone with an unusual name and I have to note it. I can read news story, read remarkable history, or find some amazing spy gadget. Somehow I piece them all together to form a mystery.  

How do you find or make time to write?

I found myself with enforced leisure after a serious accident.  Like many people I always wanted to write but life and family got in the way. I got hooked and wanted to get good enough to be taken seriously. I’m lucky to be in a position to dedicate time every day to writing. I look in awe at friends with families and job and wonder how they do it.   

What projects are you working on at the present?

I’m editing the third of ‘The Innocents’ trilogy and have outlined some more mysteries I can have my characters solve if they are a success. I also have a completely separate mystery set in 19th century Edinburgh planned which I’m quite excited about starting.

What do your plans for future projects include?

Another mystery. No surprised there. I want to continue with the universe I created in ‘The Innocents’ as I think there are still a lot I can do with the characters. I also have a Gothic 19th century medical mystery set in Edinburgh in mind which is not related to that series.

Share a link to your author website.

Blog which includes things obscure and strange in the Victorian period     http://caasbrey.com/

Twitter  https://twitter.com/CAASBREY

Facebook  https://www.facebook.com/mysteryscrivener/

Facebook group for The Innocents Mystery Series 

 https://www.facebook.com/groups/937572179738970/?ref=br_rs

Link to book https://www.amazon.com/dp/B07BMHFXSJ/ref=cm_sw_r_cp_ep_dp_wTSSAb8J40Q9H

Bio:

Chris Asbrey has lived and worked all over the world in the Police Service, Civil Service, and private industry, working for the safety, legal rights, and security of the public. A life-changing injury meant a change of course into contract law and consumer protection for a department attached to the Home Office.    

In that role she produced magazine and newspaper articles based on consumer law and wrote guides for the Consumer Direct Website. She was Media Trained, by The Rank Organization, and acted as a consultant to the BBC’s One Show and Watchdog. She has also been interviewed on BBC radio answering questions on consumer law to the public.

She lives with her husband and two daft cats in Northamptonshire, England—for now. She’s moving to the beautiful medieval city of York.