Mandy Eve-Barnett's Blog for Readers & Writers

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Creative Edge Author Interview – Donna Conrad

September 9, 2021
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  • Were your core beliefs the reason you began writing historical fiction?

In a way, yes. I was an English and History major in college and had a hard time finding information about influential women. I was appalled that even noble and royal women were rarely named while historians wrote tomes about the deeds and misdeeds of their brothers, husbands, and fathers. I initially felt compelled to give voice to women who had been marginalized, let alone completely overlooked. When I came across the African proverb, “Until the lion learns to write, every story will glorify the hunter,” I knew I must write novels about significant women based on strong historical evidence which had been supressed.

  • Did you grow up in an atmosphere of individual empowerment or did life experiences propel you in that direction?

My childhood was anything but empowering. I was terrified of my psychotic, authoritarian father, and ashamed of my mother, who did not stand up for herself, but instead fell headfirst into a bottle of whiskey to cope with her life. And yet, I always knew my mother and sister loved me unconditionally, something that sustained me through the trauma that was both my youth and the Sixties in general.

Despite her own demons, my mother managed to raise my sister and me to be strong, independent women. I learned from her example and vowed early on to never subjugate myself to another’s will, whether that of a person, a government, or a religion. When I met my husband, I realized he valued my independence. He encouraged me to be empowered and a freethinker. We’ve been married for 44 years and are still equal partners striving to become more self-aware. My husband tells people, “No one yells at Donna … twice.”

Book Cover, Cold Creek Press
  •  Where did the link to Celtic Tradition come from?

My mother was Irish and never felt quite at home with Christian dogma. She raised me in the “old ways,” which she learned from her grandmother. We celebrated the Celtic Wheel of the Year. As I child I loved the freedom to run in the fields and lay under a tree as my form of worship. I was taught that all things have a lifeforce, whether that be rock, tree, river, ocean, animal, or human. The earth-based spirituality practiced by the Celts felt natural and liberating. I gave Christianity a try in my early teens but found the basis of original sin constricting and repressive. As I grew older, I embraced my mother’s tradition and researched the “old ways” through books, retreats, and eventually leading my own quarter day celebrations.

  • Do you feel women’s wisdom is supressed in modern culture?

There is a resurgence of respect for women’s wisdom in many parts of the world. If we look back 200 years, or even 100 years, women who expressed wisdom were shunned, if not murdered. Even in fairy tales, the wise old woman, the woman who knows herbs and healing and speaks with the forest animals, is always a haggard, old, evil witch, that preys on children and the unwary; someone to be scorned. With women in the forefront, late 19th and early 20th century occult spirituality led by Madame Blavatsky’s Theosophical Society and Annie Horniman’s Order of the Golden Dawn, women began to openly reclaim their personal power.

With the “women’s rights” movement of the early 1970s, and courageous leaders like Gloria Steinem, women began to publicly claim their inner wisdom and outer proficiency.

What we see from a historical perspective, is that anytime women advance in society it is through their own leadership and determination. The #MeToo movement is a great example of women joining together to bring about change. I’m speaking in broad terms of empowerment, but respect for women in all aspects of their lives, including women’s wisdom, cannot be separated from women’s empowerment.

While most of the world still suppresses women’s wisdom, there are pockets of light where women are honored. The Maiden, Mother, Crone aspects of women are certainly making gains, even though the perceived roles of women as Temptress, Whore, Witch, persist.

  • How did growing up in the 1960s affect your personality?

The Sixties were remarkable. Young people felt anything and everything was possible if we wanted it badly enough. The sixties stereotypical “free-love” culture received most of the press, but it was the larger desire to embrace “free-thinking” that motivated my generation. Definitely me. Conforming, following rules, becoming our parents with their warped sense of patriarchal rule, was anathema. My generation believed that if we united, we could affect change—and we united as had rarely been seen. My mother always encouraged me to think for myself. She encouraged me to question authority, even hers, and when given an answer, question that too!

As I grew older, went to college, started teaching high school English, I found that I could carry my values from the Sixties with me into the “adult” world, use them to help others find their own uniqueness, their own authenticity. The Sixties concepts of freedom of thought, freedom of action, freedom to live as one wanted, were tempered by another guiding star from my mother: Do no harm.

I continue to question authority, laws, regulations, first impressions, and the nature of people who enter and leave my life. I value unique qualities in people and depend on my inner sense to form, and break, my own opinions.

  • You wear many hats – memoirist, fiction author, journalist, activist, and teacher. Do these roles contribute to your writing?

Everything a writer does, or doesn’t do, influences what they write. I’ve found that even the agonizing writer’s-block is there for a reason: To shine a spotlight on what is blocked or hiding in one’s life at that moment. The many hats I’ve worn lend me varied perspectives about people’s actions and motivations.

I started writing the first book in my historical fiction series, The Last Magdalene, before I wrote House of the Moon: Surviving the Sixties. I realized my fascination with women marginalized throughout history was partially because I too had been marginalized and silenced; that my generation arose to claim our voice, to make certain we were not ignored. Writing my memoir was both traumatic and liberating. When I found I was able to write an unvarnished version of my teen years, it became imperative that I do the same for other women. I went back to square one and wrote The Last Magdalene from a deeper level of comprehension.

I find that the common thread in everything I do is to be authentic and to allow myself to change perspectives as I learn more about “life, the universe, and everything”—to quote one of my favorite authors, Douglas Adams.

  • From where do you gather your research? (Library, archives, internet etc.)

I use every means available but find physical books and research papers especially gratifying. I also like to travel to locations in order soak up the ambiance, feel the sun or rain, hear the sounds, touch the stones, eat the food, and immerse myself in the history of any given place. I even went back to my childhood home in Covina, California and walked around my high school while writing House of the Moon.

My research for The Last Magdalene includes studying with a Hebraic scholar, Shana Laxx, from Haifa University, to better understand women’s place and participation in ancient Judea. The primary written sources for my series, The Magdalene Chronicles, are from my personal library and include works by several Roman and Egyptian historians, Josephus, Elaine Pagels, and multiple translations of both the Torah and New Testament. I find reading various renditions of history to be illuminating, and helps me to see differences in various editions, and more importantly what one translator left out, or added.

I do refer to the internet but am skeptical about fast and easy searches. I end up going down the rabbit hole for hours on end trying to source information, and often end up back in my personal library, or emailing university professors who are always helpful and eager to aid in my research.

  • What surprising things did you learn from writing your books?

How much I don’t know!

I’m also continually surprised at how interconnected people are, even when there are no physical ties that bind. But above all other surprises, the reach of the written word is what continues. Books have been a major source of inspiration throughout my life. Maya Angelou, Alan Ginsberg, Hunter Thompson, Marion Zimmer-Bradley, Sharon Kay Penman, and so many other authors and poets have shaped my perspectives, given me both hope and despair. When someone contacts me to say my writing has impacted their lives, I’m hugely surprised and gratified.

  • Where can readers find you and your books?

My website is www.donnaconrad.com.

Facebook: https://www.facebook.com/Dconrad999

Instagram: https://www.instagram.com/donnadconrad/  

Twitter: https://twitter.com/DonnaDConrad999

Or send me an email at donna@donnaconrad.com.

I also teach at various conferences. The next workshop on the agenda is Real vs. Reality, a hands-on workshop to help writers take facts and turn them into dynamic prose. https://www.pnwa.org/page/ConferenceRegistation

I am also represented by Creative Edge: http://www.creative-edge.services

  • What message do you want to give your readers?

Every person can make a difference, but it takes courage and authenticity. Don’t doubt your abilities or your insights. To quote Oscar Wilde, “Be yourself. Everybody else is already taken.”

Bio

Donna Conrad is an award-winning author, journalist, activist, and teacher. Her core values revolve around the concept of individual empowerment, a sustaining ideal running through the books she writes. Her writing interests are varied and include articles for fine-art periodicals, memoir/narrative non-fiction, as well as historical, flash, and paranormal fiction. She teaches all of the above at writers’ conferences.

Her first published book “House of the Moon: Surviving the Sixties,” has received rave reviews.

Donna’s life is as varied as her writing. She embraces change as an exciting adventure. She has studied writing with the likes of Alan Ginsberg, Lawrence Ferlinghetti, and Jack Whyte. She has also been mentored by Donald Maass, whom she worked with privately on her upcoming four-book historical fiction series, “The Magdalene Chronicles.” Book One, The Last Magdalene, is scheduled for publication April 2022.

She lives in the Pacific Northwest with her husband and their five cats. When she’s not writing, you can find Donna cruising the back roads in her black-on-black Miata MX-5, Maya – named for one of her favorite poets, Maya Angelou.

Her memoir, House of the Moon; Surviving the Sixties has received critical acclaim. The first of her four-book historical fiction series, The Last Magdalene, is scheduled for publication April 2022.

Author Interview – Boris Glikman

September 2, 2021
mandyevebarnett


1) Where do you find inspiration? Does place or observation, or both influence your writing?

Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.

Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.

Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.

Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.

2) You write short stories and poetry – what are your processes for each discipline?

The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.

At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems. 

The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.

So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.

3) How does your creative brain balance with your critical one? In particular, your mathematical proofs.

The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.  

4) Is creative writing your only creativity?

Firstly, please let me clarify that stories and poems are not the only things that I write.

I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.

Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.

5) Have your degrees influenced your creative work in any way?

Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.

I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.

The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems. 

I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure  and that they flow almost like a logical argument. 

6) Can you enlighten us about your involvement in the spiritual community?

I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.

The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.

His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different! 

7) What did you learn from your script writing venture?

I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached. 

8) Where can readers find you and your books?

This is my blog which has a lot (although not all) of my work on it: https://bozlich.wordpress.com/

This is my website: https://authorborisg.blogspot.com/

And here can be found links to various anthologies in which my writings have appeared:

https://authorborisg.blogspot.com/p/published-works_6.html

9) Do you have a new book in progress?

Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.

“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry,  and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.

My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.

Bio:

BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”

WordPress Anniversary – 11 Years!

August 8, 2021
mandyevebarnett


Happy Anniversary with WordPress.com!

You registered on WordPress.com 11 years ago.

Thanks for flying with us. Keep up the good blogging.

A huge thank you to all my followers for continuing to read, comment and participate in my blogging life.

Here’s to another 11 years!

Photo by Jess Bailey Designs on Pexels.com

Wordsmith Collective Thursday – Author Interview – A.G. Flitcher

July 29, 2021
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  • What promoted you to republish these two books?

When I unpublished these books, it was because I was embarrassed of the quality. But when I looked through them again, I realized my embarrassment had nothing to do with the quality of my work. It had to do with the fact that I wrote these books while I was still raw from my mothers passing. It had two years when she passed away when I started working on book 1. I had never written a novel before. I was a screenwriter at the time. I wanted to write stories without dealing with the competition. So, even though I thought writing a novel would be much harder, I switched to novels. Over time it became the format I loved.

As for why I decided to republish, it’s because I’m proud of every step I’ve taken to get where I am now and am excited for what the future holds for me.

  • Can you us tell about the stories and how the ideas came about for Unforgiven and All in the Family?

At the time the idea stemmed from my grieving process of my mother’s passing. Feeling as if my emotional state and process was quite different from my family. There is a scene in book one where the truth of why the family split up and kept Henry (main character) in the dark of the truth. My perspective of my family was rather negative and dark. Which is why I originally unpublished my work. It felt like I was using an outlet to deal with my frustration, anger, and morose state.

Somehow, as time went on, I saw these books as a much needed and healthy part of my past. That I dealt with my emotions in a creative and human way. Sure, the ideas came from a creative place, but at its core, it came from a tormented and lonesome place.

I believe our fears can create beauty.

On a more literal standpoint, Unforgiven is about Henry reuniting with his family. While questioning his life choices and how he will get himself and his family out of this chaotic mess. As for what the family business is, I will let that be a surprise.

  • Which genre do you enjoy writing the most?

Mystery. When I wrote book 1 of Boone and Jacque, I found joy in creating layers around the central characters.

  • Where did the idea come from to writer this fantasy series?

I wouldn’t consider this a fantasy series. It’s more of a thriller and suspense duology.

  • Do you have other books published?

Yes. My Urban Fantasy/Fiction series, Boone and Jacque. Book 1, Saddleton’s Secret, Book 2, The Brothers’ Odyssey are available on Amazon in paperback and kindle format. Book 3, Saddleton Haunting, will be out in Kindle format in early August. For paperback, sometime in September.

  • What is your writing background?

I did my Bachelor’s in Creative Writing at Kwantlen Polytechnic University. Besides books, I’ve written several poems, short stories, and research articles.

  • Do you belong to a writing group?

On Facebook: Author Nation, World Poetry Café; Author/Publisher/Editor/Book Readers, Start in Screen – Canada, BC Writers, Authors and Editors, and countless others.

  • Has the pandemic affected your writing/promotion? If so how?

Not at all. Overtime I’ve certainly evolved as a writer and adapted to change in life. But how often I write and put my work out there hasn’t changed.

However, the pandemic did make me let go of certain fears. One being fantasizing about things I want to do. For example, acting. Starting in August, I’ll be doing a three month acting program. I don’t know where it will take me, but I’m excited about it.

  • Which authors influence you?

Good question. It changes over time. Right now it’s Leigh Bardugo, whom wrote the Grishaverse. She is the first fantasy writer to envelope me in the universe she created since I read Harry Potter. I’m not sure why, but something about her style is quite inviting.

I still look up to Stephen King, J.K. Rowling, Cormac McCarthy and Daniel Handler, but I’m expanding my horizons.

  • What are you currently reading?

Crooked Kingdom by Leigh Bardugo.

  • Where can readers find you and your books?

For social media:

Facebook: A.G. Flitcher | Facebook

Instagram: Andre (@greatcoffeeequalsfocus) • Instagram photos and videos

Twitter: (13) AG Flitcher (@agflitcher) / Twitter

Books:

Website: https://www.facebook.com/A.G.Flitcher

Bio:

A.G. Flitcher is a self published author, who always had difficulty speaking his mind without fumbling his thoughts. What he believed to be right and wrong. Storytelling is his passion.

Wordsmith’s Collective Thursday – Dream Write Publishing on Sound Sugar Radio

July 22, 2021
mandyevebarnett


A local publisher for local authors.

Get to know my publisher, Dream Write Publishing and it’s incredible owner, Linda J. Pedley.

You can hear the whole interview here: soundsugarradio.com Episode 17 will be uploaded shortly.

SPOTLIGHT ON LOCAL highlights writing and the publishing industry. Talking tips and examples, and a deeper into the need-to-knows as we take the steps from writer to Author …or even, first-time Author to multi-published 😉 …or even first-time writer. Linda J. Pedley joins me, owner of Dream Write Publishing , treasurer of Alberta Authors Cooperative , and co-founder of Writers Foundation of Strathcona County with nine books published of her own.

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