The next site that offers an author profile page is Amazon. As you can see from the image below of my author page on Amazon, it can detail not only your bio and books but have a link to your blog, book trailers, videos and more.
As with the Goodreads process there are steps to follow to create this author profile. It is a simple step by step procedure.
Sign in with your regular Amazon username and password. If you don’t have an account, select “I am a new customer.” You’ll need to give a little more information.
Read the Terms and Conditions, then click “Accept.”
Enter your author name, pen name, or book title into the search field. A list of possible books appears. (Once your account gets set up, you can add more titles by clicking on the “Books” tab in the navigation menu and select the blue button labeled “Add a Book.”)
Select any one of your books to create the account. If your book is not on the list, you can search for it by title or ISBN. (Note: Your book must be available for purchase on Amazon to set up an Author Central Amazon Account.)
Amazon will send you a confirmation email to finish creating the account. (Amazon may contact your publisher(s) as an additional measure to verify your identity, which may take three to seven days.)
Once again there is a follow button for your readers to click and you in turn can follow other authors. It is a great tool for marketing and increasing your author platform.
A book cover is an intrinsic part of any book. It is the initial draw for a reader to pick up the book before reading the blurb and deciding if the narrative appeals or not. For any of the best seller author’s you may pick the book in the knowledge you know their writing style and genre. However, have you ever wondered why there are differences in the actual book cover depending on where you live in the world.
Take a couple of Stephen King books for instance. (You all know I love him!) I have the UK and USA versions of two of his books below. The images relate to the narratives but are very different in atheistic.
So why the differences?
Publishers buy the text of a book, not the cover as the cover is the property of the initial publisher. So this means international publishers have a choice:
Negotiate a license for the initial cover or,
Make their own cover.
Publishers generally choose the second option, as it gives them the opportunity to make their own creative choices. This is dependent on their market and the position the book. There may also be factors, such as the size of the market. The UK has a smaller marketplace as opposed to the US, which is a larger geographic area. The book cover may need to be more specific in a larger marketplace. Each editor has their own vision for the book and a good sense of their market, so will use a cover that best serves that genre’s (and author’s) readers. In most cases, publishers are only buying rights to the book for a single country or language, so can tailor make the cover to suit.
The other reason for a change in a book cover is to update it to current atheistic and tastes. A book cover published in the 1970’s would look outdated and tired, so a new look can attract younger readers.
For example: The Stand. As you can see the 1978 original is dark & light fighters, then the TV movie tie-in cover and also an array of other covers. It gives you an idea of the development of a cover for the same narrative.
Do you have older versions of books on your shelf? Care to share?
I did actually change one of my covers. The first one, I created myself (and it looks it to be honest!) The second I hired a designer. I love the imagery.
Then when I wrote the sequel, my designer created a complimentary cover.
1. What inspired you to write books for children to aid with reading and writing?
For about 15 years, I worked as a library programmer, so every week I had two or three programs for preschoolers. My favourite group was the 5-6-year-olds, who were just learning to read. They have such active imaginations and often like to see themselves as players in the story. I loved working with them, finding great children’s books, and then reading the stories aloud to them. After a few years, it felt very natural to start writing for this age group. Also, a writer-friend Alison Lohans had an opportunity to give a workshop in writing for children. I took that, and it put me on the path. Eventually, I got my MFA in Creative Writing at the University of British Columbia with a major in writing for children and young adults.
2. Do you think reading is the gateway to learning and life skills?
Yes, absolutely. It’s also a lot of fun!
3. How does the construction of the content aid understanding in children?
I’ve been lucky to work with several top-notch traditional publishers on the books I’ve written for children and middle-grade readers. I don’t self-publish so I am not usually involved in the construction of the book, but a writer can always help by inspiring the editors with punchy writing and ideas. As a journalist, I had always suggested backgrounders and sidebars, or short related articles, so I was on the watch for that. And I’ve noticed that surrounding a non-fiction narrative with fact-boxes and short in-set articles can really grab the attention of readers. When I was writing Dragonflies are Amazing, for instance, the editor asked me for some “fun facts” to create a fact-box. I put together about 20 facts, and worked on them so they had an engaging style to activate a kids’ imagination. The editor ended up putting the facts in a graphic format that looks like dragonflies flying around the page. You actually have to turn the book around to read them. Very cool! She also put the images in puzzle pieces. The overall effect of that book is as amazing as the dragonflies, and it really works to attract reluctant readers.
4. Where can schools access your books?
Schools order the children’s books directly from the publishers, but I also distribute some of them locally to schools and libraries in my home town and area during readings and workshops. My young adult series Last of the Gifted is available everywhere, from Amazon to local independent bookstores, through publisher Wood Dragon Books.
5. Did your Welsh heritage influence your stories?
My Welsh heritage influences my young adult series, Last of the Gifted. My grandfather was had been born in Wales and I knew he was a Welsh speaker. All of my grandparents had died before I was born. When I was a kid, my friends had grandparents but not me, so I guess I became a little obsessed by them. But my dad died young, and it was hard finding out much about my dad’s parents. Since I was a journalist, I wanted to get into travel writing, so I planned a trip to Wales to do double duty and find out more about my own heritage at the same time. I had rented a cottage on a sheep farm in north Wales, so one day I went to see Dolwyddelan, a castle built by the last true Welsh princes. Inside, there were placards showing the history, and how losing a war in 1282 caused them to lose their language and their way of life. I started thinking about what it would be like to actually live through something like that, and that led to writing about it. It’s been my “heart” project ever since.
6. How did your magical characters evolve from idea to story?
I actually started out by free writing the scenes in Spirit Sight. I had covered an article on a falconer and I was very intrigued by his falcon demonstrations. One day, while I was doing research on North Wales, I started wondering what it would be like to see through the eyes of a bird. I started free writing and the opening scene came together. I’ve revised and refined it since, but that’s still the opening of the book. From there, I started reading about Welsh legends and myths, and my magical world evolved from that.
7. Is imagination important for children?
It’s important for everyone. There are a lot of ways to use and grow our imaginations, but reading is definitely one of the best ways. And writing helps, too!
8. Are there other subjects/topics you want to write about?
Yes, lots. I have a couple of contemporary fantasy novels on the go as well, as well as short stories. My writing is speculative fiction with some connection to ghosts or the past influencing the present. I still write articles for magazines as well, and that inspires me in different ways.
9. Where is your favorite place to write and why?
I write at my kitchen table, actually. I have a perfectly good office and I fully intend to use it, but the kitchen has better light and a lovely window looking out at the park across the street. I always wrote in the kitchen when my kids were young, and that tends to be where I end up.
10. Do you have upcoming projects? Can you talk about them?
I have a lot of projects on the go. I’m working on one more book now in the Last of the Gifted series, and I have started another related series. Last NaNoWriMo, I wrote a novel from the same time but unrelated to the series, more medieval romance, just for fun. I’d like to do something more with that, too. And there are the contemporary novels as well.
11. How can readers find you?
My website is the best place, and I’m on social media too. Here are some links:
Marie Powell Bio:Marie Powell’s castle-hopping adventures across North Wales to explore her family roots resulted in her award-winning historical fantasy series Last of the Gifted. The series includes two books to date, Spirit Sight and Water Sight (participation made possible through Creative Saskatchewan’s Book Publishing Production Grant Program). Marie is the author of more than 40 children’s books with such publishers as Scholastic Education and Amicus, along with award-winning short stories and poetry appearing in such literary magazines as Room, subTerrain, and Sunlight Press. Among other degrees, she holds a Master of Fine Arts (MFA) in Creative Writing from UBC. Marie lives on Treaty 4 land in Regina, Saskatchewan. Find her at mariepowell.ca
It is that time of year again, I have been working with the Board members of my writing group to finalize details for our annual writing conference. As I am hosting an online session about blogging, I revised my presentation notes in readiness. The countdown is on!
I would ask any writer that is interested in gaining new skills, honing their craft or wants to expand their network to attend this remarkable conference. The Writers Foundation of Strathcona County’s Conference on 27th March – The Art of Writing is covering a wide range of writing skills. https://www.wfscsherwoodpark.com/annual-writers-conference
We will also be live on our Facebook page if you want to drop by anytime between 8:30 am – 5:00 pm MST https://www.facebook.com/wfscsherwoodpark There is the opportunity to promote your book(s) as well throughout the day so click the link to submit.
Apart from continuing to write my current WIP; book one of the The Delphic Murders trilogy, I have been thinking about the book covers. Each book needs to reflect the story within it but also tie-in to the other two books. After a conversation, an idea has been bouncing around in my head but on Tuesday a much better idea for the imagery came out of nowhere. I am now discussing the possibilities with my cover artist. This is such an exciting stage of any the book creation.
As always, working with any artist, it is paramount to have good communication and be able to describe our ‘vision’ for the illustrations. We are lucky to have the power of technology to find samples and suggested imagery. I have been lucky to have worked with several artists to create artwork that reflects my stories.
With any cover we need to ask ourselves three main questions:
Does the cover reflect the story?
Is it eye catching?
Does it reflect the genre?
How did you decide on your book (s) cover?
Did you use your own photographs, commission or draw you own drawings or manipulate images some other way?
Interestingly, I searched best book covers for 2020 and there are several lists to look through. All of them have different covers, so it is really a matter of person preference. A cover might attract one reader but not another. It is a balancing act, for sure.
Do you have a favorite book cover? Why not share one?
My friend, Linda and I enjoyed an early morning visit to Elk Island National Park on Sunday and were rewarded with sightings of a herd of bison, a solitary goose atop a beaver lodge, signs of beaver activity, a super fast squirrel speeding across the road, a coyote out on the lake (no photo my cell can’t zoom in that far) and the sheer silence of nature. We drove under an Alberta blue sky streaked with wispy clouds.
I continue to edit my current manuscript and those of my fellow novel workshop friends. After a discussion about possible front covers for the series, Linda came up with an amazing idea. It will have to be kept under wraps until a later date though.
And managed to submit a poem to a local contest. So fingers crossed.
I also finished reading Ethan Hawke’s novel, A Bright Ray of Darkness. I will be attending the virtual book club to discuss the novel at Winterfest, which will be an exciting event.
Excellent use of language and paced well. The inner turmoil and mystifying disconnect of the main character to his life gave the reader an exceptional insight into the protagonist’s mind. A great story.
What are you currently reading? What was the last review you submitted?
I have returned to this book as I had to complete Ethan’s book prior to the event.
On a side note if you get the chance watch this movie. It is an extraordinary story and the imagery is unique.