Mandy Eve-Barnett's Blog for Readers & Writers

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Creative Edge Author Interview – Katherine Lawrence

July 21, 2022
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  1. When did you start writing poetry? What was, and is your inspiration?
    I began in high school, not long after my parents’ divorce. Looking back, I see that I turned to writing to sort out my confusion at the time. My world was upended when my parents sold the family house in 1968. I was 13 years old. My parents moved into separate apartments in different cities. My younger sister and I moved out with our mother, about 20 km away from our father. The change felt like we had moved
    to a foreign country. In many ways, that was true. My inspiration was initially the lyrics of Joni Mitchell. Her music continues to resonate for me, and millions of other fans. I lean on good literature and music to
    take me into poetry.
  2. How did writing Stay and Never Mind differ from your usual writing method?
    I started “Stay” before I began writing “Never Mind” but I got bogged down. I needed more time to study other verse novels. I also needed to collect feedback on an early draft. I turned to middle-grade students at a local school for their opinions and then I set the manuscript aside.
    It was during this period that my mother died. I felt numb for a long time and was unable to write. One day, I recalled a letter from the Canadian settler Susanna Moodie (1803-1885). She wrote that once she touched the shores of the New World, she never saw, touched, or heard her mother back home in England ever again. It seemed to be something that she had not anticipated when she and her husband set sail for Canada. Or perhaps she hadn’t let herself dwell on the reality of
    separation from her mother and sisters. She was describing her grief and I understood what Moodie was saying. I also heard the voice that led me to invent the character I named Wife. I placed her in a setting similar to Moodie’s. I funnelled all my private grief and longing into Wife and built a story that was far removed from my mother’s life yet was emotionally similar. My mother was lonely in her marriage and eventually left my father for her own “new world.” I wrote into the emotional truth of loss. “Never Mind” taught me how to write in the tradition of the long poem. The book also showed me that I could hold a story in my head while developing poems in keeping with a narrative arc. I spoke to my mother by phone the night before she died. I didn’t know it would be our final conversation. Her last question was about “Stay”. She wanted to know how the book was going. I had put the manuscript away. About three years later, our final conversation returned to me as I was sitting in my office one day. I opened the
    file and finished writing “Stay” in about one month.

3. Can you tell us a little about the character Millie in Stay? Is she real, imagined or both?
Millie is smart, observant, and passionate about two things: her family and dogs. She wants her family to stay together AND she wants to adopt a puppy. But Millie’s parents have decided to split-up. Her world has turned upside down but since she’s 11 years old, she’s also selfish in the way that every adolescent is self-focused. Millie wants what she wants: Mom and Dad to stay together in the same house so that she can bring home a puppy and not have to live between two homes. But Dad moves into an apartment where a sign on the front door reads NO DOGS ALLOWED. Millie is an imagined character who is informed by my knowledge and experience of family breakdown.

  1. What message do you want to convey with the story?
    Nothing stays the same, not even our family— our foundational structure. We all must learn to adapt.
  2. What did you learn when you were writer in residence?
    I loved my residency at the library. I learned that hundreds of people have stories and poems inside them. I learned that most people are looking for a little guidance and a lot of encouragement because writing is a solitary and somewhat mysterious activity. I have always turned to other writers for support and was happy to do the same for others.
  3. When compiling a poetry collection, what is your main objective?
    I’m driven by narrative. I like my work to tell a story. I’ve just published my fifth book, a poetic memoir titled “Black Umbrella”. Again, it’s about family dysfunction and again it tells a story. I assembled the book by looking for the narrative arc once I’d written about 70 percent of the poems. I later went back and filled in any gaps in the story. I strive to write poetry that is inventive, accessible, and alive.
  4. Which poet(s) inspire you?
    I read a lot of poetry. I’m currently reading the work of Calgary poet Micheline Maylor, but I often return to Emily Dickinson. I see something new in Dickinson every time I turn to her work.
  1. What are you currently working on?
    I’m in research mode. I’m curious about the concept of ambivalent motherhood.
  2. How can readers find you?
    Go to my website and contact me. I promise to respond and I love hearing from readers. Link:
  3. Where and how often do you write?
    I have a small office on the second floor of my home in Saskatoon, Saskatchewan. I live with my husband. I disappear into my office for several hours most days.

Bio:

Saskatoon writer Katherine Lawrence has published four poetry collections and the award-winning novel-in-verse, Stay. Her work has been published across the country and has been long listed twice for the CBC Literary Awards. Originally from Hamilton, Katherine has lived on the prairies for over 35 years. She is a former writer-in-residence for the Saskatoon Public Library and holds an MFA in Creative Writing from the University of Saskatchewan. You can find her online at
http://www.katherinelawrence.net

Wordsmith’s Collective Thursday – Author Interview – Cheryl Rush Cowperthwait

May 19, 2022
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1.     What drew you to write your first fantasy story?

Believe it or not, it was a picture I made from a picture application of me with a dragon next to me. I wrote a short catchy phrase that I only later learned was a ‘blurb’ I still use on what became my first fantasy novel. It all started with a picture I posted on my Facebook page and people kept saying they wanted more of the story…there was no story! So, day by day I wrote more and posted to my Facebook page for the first 30 days, at which time I discovered I was writing a book!

2.     Did you plan a series or were the characters/worlds too fascinating to leave behind?

This tickles me pink! Since I had no concept I was writing a novel in the beginning, I just keep writing and the characters took control. When your characters are dragons and they talk to you all night long, you awaken and start writing! There was/is so much about these characters that a series developed.

3.     Why did you create a dragon’s world in particular?

This is a great question. The answer stems from that picture we spoke about, but what I didn’t say was that at one time I found out a few people liked to speak behind my back, calling me a dragon. Well, when people cast stones… you build a castle and that’s what I did with my dragons. They are highly intelligent beings and are the protectors of those who cannot protect themselves. 

4.     What is your writing process? Planner or panster.

I’m a pantster all the way. I’m a visual writer. I see the story in my head. Sometimes it is only flashes or glimpses of a moment, but when my hand hit the keyboard, it pours out.

5.     Do you only write prose?

My first outlet in writing was through poetry. I used it as a way to describe my feelings in a more powerful way. Gradually, it morphed into a way of telling stories.

6.     Are you a lifelong writer?

Thankfully, yes. I recently turned 64 and the first I remember writing was a poem to my grandmother when I was eleven or twelve, so with more than fifty years behind me, writing is one of those things that has always been with me.

7.     What are you working on now?

As writers, we always stretch. My first stretch outside of fantasy came last year when I decided to write a contemporary romance novel. Which, wouldn’t you know it, developed into a series. I’m writing the fourth book in this series currently. I actually have three books I’m writing. One is the fifth book in my current dragon series, The Spires of Dasny, one is the one I mentioned, the fourth in the Hope Falls series under my pen name, C.H. Eryl and the third book is one for a romance anthology I was fortunate to be asked to contribute. It will be a starter book for a companion series to the Hope Falls romance series.

8.     Where do you see your series going and for how long?

I have to laugh at this question! I really don’t plan on a series, but they just grow and expand and sometimes make me mad when a character acts up near the end of what ‘should have been’ the last in the series… like now. The Spires of Dasny should have been a four book series, and here I am writing book 5. But wait, not only that but now the same character has stretched beyond his boundaries and now new books will come as a result. At the present I’m unsure if it will carry the same series name or if it will have a new series title.

9.     Where can readers find you?

The best place to find me will be on Amazon. I have two author pages there. https://www.amazon.com/Cheryl-Rush-Cowperthwait/e/B078HTLP5X

Bibliophile’s Collective Tuesday – Poetry Anthologies & Commencement of Book Two of The Delphic Murders

October 26, 2021
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The writing group I am secretary of, the Writers Foundation of Strathcona County, has recently published two poetry anthologies. These collections of poems were created using the responses to prompts created during the last two April Poetry Month challenges. As many of you know I dabble in poetry once in a while, but it is not really my forte. However, I hope that you will take a look (and buy) these wonderful collections. The poetry is as diverse as the poets themselves.

For any inspiring poets out there the foundation holds free online poetry workshops the third Wednesday of every month. No membership required. Just click the link on the main website page to receive the Zoom link. 7:00 pm MST. Next workshop 17th November Link

Other workshops and a sharing meeting are also every month. Check out the website

Photo by Lisa on Pexels.com

Writing Update

As for my writing schedule, I am looking at beginning preparation for November’s National Novel Writing Month and book two of my crime trilogy. The two detective’s personalities are beginning to talk to me, which is good! There are some plot points to consider, such as where the body is found and how, the feud between one detective and a pushy wannabe detective character, as well as a partner, who flies close to the wrong side of the law on occasion. I already have the title – The Tainted Search. I know once I begin writing the characters will talk to me and the story will flow. It is always exciting to start a new project.

Do you want to connect?

As always if you have any questions about my stories, books, writing life etc. – I am happy to answer them. Just put a comment in the box below or email me through the contact form.

Happy reading.

Photo by rikka ameboshi on Pexels.com

Author Interview – Boris Glikman

September 2, 2021
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1) Where do you find inspiration? Does place or observation, or both influence your writing?

Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.

Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.

Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.

Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.

2) You write short stories and poetry – what are your processes for each discipline?

The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.

At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems. 

The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.

So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.

3) How does your creative brain balance with your critical one? In particular, your mathematical proofs.

The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.  

4) Is creative writing your only creativity?

Firstly, please let me clarify that stories and poems are not the only things that I write.

I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.

Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.

5) Have your degrees influenced your creative work in any way?

Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.

I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.

The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems. 

I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure  and that they flow almost like a logical argument. 

6) Can you enlighten us about your involvement in the spiritual community?

I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.

The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.

His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different! 

7) What did you learn from your script writing venture?

I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached. 

8) Where can readers find you and your books?

This is my blog which has a lot (although not all) of my work on it: https://bozlich.wordpress.com/

This is my website: https://authorborisg.blogspot.com/

And here can be found links to various anthologies in which my writings have appeared:

https://authorborisg.blogspot.com/p/published-works_6.html

9) Do you have a new book in progress?

Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.

“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry,  and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.

My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.

Bio:

BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”

Wordsmith Collective Thursday – Author Interview – A.G. Flitcher

July 29, 2021
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  • What promoted you to republish these two books?

When I unpublished these books, it was because I was embarrassed of the quality. But when I looked through them again, I realized my embarrassment had nothing to do with the quality of my work. It had to do with the fact that I wrote these books while I was still raw from my mothers passing. It had two years when she passed away when I started working on book 1. I had never written a novel before. I was a screenwriter at the time. I wanted to write stories without dealing with the competition. So, even though I thought writing a novel would be much harder, I switched to novels. Over time it became the format I loved.

As for why I decided to republish, it’s because I’m proud of every step I’ve taken to get where I am now and am excited for what the future holds for me.

  • Can you us tell about the stories and how the ideas came about for Unforgiven and All in the Family?

At the time the idea stemmed from my grieving process of my mother’s passing. Feeling as if my emotional state and process was quite different from my family. There is a scene in book one where the truth of why the family split up and kept Henry (main character) in the dark of the truth. My perspective of my family was rather negative and dark. Which is why I originally unpublished my work. It felt like I was using an outlet to deal with my frustration, anger, and morose state.

Somehow, as time went on, I saw these books as a much needed and healthy part of my past. That I dealt with my emotions in a creative and human way. Sure, the ideas came from a creative place, but at its core, it came from a tormented and lonesome place.

I believe our fears can create beauty.

On a more literal standpoint, Unforgiven is about Henry reuniting with his family. While questioning his life choices and how he will get himself and his family out of this chaotic mess. As for what the family business is, I will let that be a surprise.

  • Which genre do you enjoy writing the most?

Mystery. When I wrote book 1 of Boone and Jacque, I found joy in creating layers around the central characters.

  • Where did the idea come from to writer this fantasy series?

I wouldn’t consider this a fantasy series. It’s more of a thriller and suspense duology.

  • Do you have other books published?

Yes. My Urban Fantasy/Fiction series, Boone and Jacque. Book 1, Saddleton’s Secret, Book 2, The Brothers’ Odyssey are available on Amazon in paperback and kindle format. Book 3, Saddleton Haunting, will be out in Kindle format in early August. For paperback, sometime in September.

  • What is your writing background?

I did my Bachelor’s in Creative Writing at Kwantlen Polytechnic University. Besides books, I’ve written several poems, short stories, and research articles.

  • Do you belong to a writing group?

On Facebook: Author Nation, World Poetry Café; Author/Publisher/Editor/Book Readers, Start in Screen – Canada, BC Writers, Authors and Editors, and countless others.

  • Has the pandemic affected your writing/promotion? If so how?

Not at all. Overtime I’ve certainly evolved as a writer and adapted to change in life. But how often I write and put my work out there hasn’t changed.

However, the pandemic did make me let go of certain fears. One being fantasizing about things I want to do. For example, acting. Starting in August, I’ll be doing a three month acting program. I don’t know where it will take me, but I’m excited about it.

  • Which authors influence you?

Good question. It changes over time. Right now it’s Leigh Bardugo, whom wrote the Grishaverse. She is the first fantasy writer to envelope me in the universe she created since I read Harry Potter. I’m not sure why, but something about her style is quite inviting.

I still look up to Stephen King, J.K. Rowling, Cormac McCarthy and Daniel Handler, but I’m expanding my horizons.

  • What are you currently reading?

Crooked Kingdom by Leigh Bardugo.

  • Where can readers find you and your books?

For social media:

Facebook: A.G. Flitcher | Facebook

Instagram: Andre (@greatcoffeeequalsfocus) • Instagram photos and videos

Twitter: (13) AG Flitcher (@agflitcher) / Twitter

Books:

Website: https://www.facebook.com/A.G.Flitcher

Bio:

A.G. Flitcher is a self published author, who always had difficulty speaking his mind without fumbling his thoughts. What he believed to be right and wrong. Storytelling is his passion.

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