As we welcome autumn/fall with its brilliant colour metamorphosis across the landscape, we begin to think of cooler weather and a new space to write. We transition from writing on the deck, in a beach house, or a lakeside cabin to a cozier study or quiet room with a view or flickering fireplace. The seasons affect our mood and in turn our writing. These seasonal changes can also add to our content.
If we are on the cusp of a new project, we can use the crisp mornings and evenings to walk in nature and percolate ideas. We can watch the flames dance in a fire-pit or the leaves dancing on the wind or crunching beneath our feet. Why not take day trips to a wine festival, a corn maze, a pumpkin farm, immerse yourself in the season and its special harvest of smells and sights.
Let your imagination experience this new season and bring your idea to life. Ask yourself what your new project’s genre might be.
Is it an autumnal romance?
A spooky horror?
A ghost story?
A contemporary ‘change’ of scene narrative?
If you are in the midst of a project use nature as an example and lose any extraneous content, edit with the thought that the project will be renewed, fresh and improved. It is a reorganization, much like changing your clothing to suit the cooler weather. The autumn/fall scenery can inspire more descriptive language – colour, scents, mood and more.
With the change to autumn/fall, we can utilize the season to promote a book that reflects it. For me, I begin to think about my little monster, Rumble, and his Halloween adventure. I will be looking at a specific promotion for this children’s picture book.
When we write a story, as the author, we are within the narrative – it’s characters, setting, backstory and genre format. We can become too close to the action and reveal our plot too early or make it too obvious. Here are a few tips to help entice your reader and keep them guessing, because if you can foresee a plot twist so can the reader. We have to think up options and/or steer the event in another direction to avoid being obvious.
One way is to use subtle misdirection, such as:
Red herrings – false clues or misleading information to steer readers in the wrong direction.
Dead ends – not writing the obvious outcome your readers thought was coming.
Misguided attention – Bury hints or clues where the reader is redirected to another scene, or dialogue and misses a cleverly dropped hint.
2. Foreshadowing is an excellent vehicle for adding subtle hints for a twist to come. These can be as part of a characters actions, or non-action, a secondary character’s dialogue or even disguising a plot twist within a plot twist. The twist, however, must be believable and necessary and also makes sense within the narrative.
3. Use a subplot that misdirects your reader.
It can feed into the plot line, or not – that is your choice.
Interact or intertwine your subplot in an unexpected or unusual way.
You can make the subplot more important to the overall story, than initially appears.
It can also distract from the main plot.
Depending on your genre you can use the ‘no-one is safe’ mentality to add tension and ‘what if’s’.
Other misdirection techniques include:
Killing off an important character.
A character discovers a plot twist organically.
Elevate a minor character.
Your big reveal instigates a twist ending.
Remember to keep up the momentum after the big reveal so that the reader will continue reading to find out the ultimate conclusion of your narrative. If you are struggling there are plot twist generators on the internet, you can use them or manufacture your own from the ideas.
How have you kept a reader guessing? Care to share?
Which book plot twist surprised you the most?
Here is a list of the more famous literary plot twists.
1)Where do you find inspiration? Does place or observation, or both influence your writing?
Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.
Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.
Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.
Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.
2) You write short stories and poetry – what are your processes for each discipline?
The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.
At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems.
The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.
So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.
3)How does your creative brain balance with your critical one? In particular, your mathematical proofs.
The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.
4)Is creative writing your only creativity?
Firstly, please let me clarify that stories and poems are not the only things that I write.
I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.
Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.
5) Have your degrees influenced your creative work in any way?
Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.
I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.
The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems.
I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure and that they flow almost like a logical argument.
6)Can you enlighten us about your involvement in the spiritual community?
I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.
The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.
His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different!
7) What did you learn from your script writing venture?
I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached.
Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.
“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry, and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.
My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.
BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”
We have looked at how book covers change from country to country, but how many titles have changed? Do you know?
I have altered a couple of my own titles as the story evolved and a better title came to mind. Initially, when I was writing my YA novella, Creature Hunt on Planet Toaria, the main character, a robotic protector was my focus. The working title was Bubble the Grubble as the initial story concept was for a younger audience. As the narrative formed it was obvious that the story would appeal to an older readership. So I changed the title to reflect that.
The other title, I changed was The Commodore’s Gift. Initially, this story was a writing exercise prompt on a writing retreat, using a random title. I was assigned ‘The Toymaker’ and wrote about Marcus, an exceptional toy-maker, and his capture by the Commodore. The completed story was 7900 words. Although, Marcus is still part of the completed novel, his role is significantly reduced.
Did you know the former titles for these famous novels?
First Impressions Became Pride and Prejudice. All’s Well That Ends Well Became War and Peace. The Un-Dead Became Dracula. The High-Bouncing Lover Became The Great Gatsby.Tomorrow Is Another Day Became Gone with the Wind. The Last Man in EuropeBecame 1984. The Return of the ShadowBecame The Fellowship of the Ring. Strangers from Within Became Lord of the Flies. Second Coming Became ’Salem’s Lot.
Can you add to this list?
I attended an in-person event on Friday, the first since the pandemic began with members of my writing group. It was a local fun day for culture and sport. The main focus was to present the winner’s of our annual children’s writing contest with a book, which included their stories. As you can imagine it was a fun watching these young writers see their writing in a published book. We also promoted the monthly children’s writing workshop, so they can continue writing and improving their skills. Currently, the event is held virtually, so it is not limited to who can attend. Details are on the calendar. https://www.wfscsherwoodpark.com/ The workshops are held the second Thursday of every month. 6.30 pm MST
Do you know a young writer that would be interested?
I have been writing since 1987. I started as a journalist, went to college in my 40s, and continued to write after that. My first book, “A River of Stones” was published in 2002.
You write in multiple genres – do you start with the genre and then the story or the other way around?
The genre usually. For my most recent book, I knew what the genre was going to be pretty close to getting it going. I have written mystery, YA fiction, middle reader, nonfiction, a picture book, Christian fiction, Christian Historical Fiction and science/fantasy, so you can imagine what my mind is like.
Which do you find the most challenging to write – fiction or non-fiction?
That depends on the research. When there’s a lot of research, the time it takes to finish a book is lengthened. The easiest books for me to write are those that mostly come from my head. If the book is based on where I live or a place where I’ve vacationed, the challenge is lessened.
Where did the ideas for the Brianne James Mystery & Susan Cramer Mystery Series’ come from?
I really wanted to tackle a mystery, and so I thought how it would be if I was a detective, having no training and no experience in the field. This is Susan Cramer. She loves a great mystery but she really has no idea – especially in the beginning – how to solve the crime. I am like that. The ideas after that came from my ‘strange’ mind. I am always asking what if questions. What if someone died in an old hotel and everyone thought You were the murderer? What if you were on a cruise ship and an old man died at your feet?
Do you have a favorite character and why?
I would have to say Brianne James. She is the daughter to Susan. And she has a little more of her wits about her. She is tough, too.
Were the series planned ahead or did the character’s dictate a continuation?
The series was not planned ahead. “Scrambled” was a one book wonder in the beginning. I wrote it because I was attending college and I needed money for school. I received a $500 scholarship from Mystery Writers of America after sending in my first chapter – a chapter I wrote for one of my college classes.
What is your writing process?
Get up. Sit down. And write. I treat my writing like I would a profession because it is. Writing is NOT my hobby. Yes, I love it, but I write because I have to. I go through multiple drafts and revisions before I call something finished. A have a part-time job as an aide at an elementary school, and two businesses – we publish too over here, [Idea Creations Press] and run a non-profit [Trees For Keeps], so I keep myself pretty busy.
Do you have a favorite place to write?
Our family just returned from a vacation to Bryce Canyon, Utah. It is a beautiful place. Every morning I would sit out on the porch and write. I loved it. At home I have my office. It’s not as peaceful as an early morning in the canyon, but I love having a work space just for writing.
Does your own life experience play a part in your characterizations?
This question makes me smile. Yes. There is a lot of me in my books. The goofy girl. The question asker. The mystery maker. The searcher.
Where can readers find you?
I love it when readers find me at my blog and learn something new about writing, marketing, or publishing. http://www.ariverofstones.com. I also have a fun Author’s Amazon page here.
Kathryn is a lover of words and a bearer of mood swings. When she is feeling the need to inspire, she writes a Christian fiction book. If a mystery is waiting to be uncovered, she finds it. If something otherworldly is finding its way through her fingertips, she travels to it.
Kathryn has been a reader since she was a young child. Although she took classes in writing as a teen, it wasn’t something she really thought would become her career until she was married. And even then, it took a few more years for something worthy enough to publish to manifest itself.
Kathryn’s first book was published in 2002. Since then, many other books have found their way out of her head depending on the sort of day she is having. Kathryn is a journalist, a teacher, a mentor, an editor, a publisher, and a marketer.
Her greatest joy, other than writing her next book, is meeting with readers and authors who enjoy the craft of writing as much as she does.