The next site that offers an author profile page is Amazon. As you can see from the image below of my author page on Amazon, it can detail not only your bio and books but have a link to your blog, book trailers, videos and more.
As with the Goodreads process there are steps to follow to create this author profile. It is a simple step by step procedure.
Sign in with your regular Amazon username and password. If you don’t have an account, select “I am a new customer.” You’ll need to give a little more information.
Read the Terms and Conditions, then click “Accept.”
Enter your author name, pen name, or book title into the search field. A list of possible books appears. (Once your account gets set up, you can add more titles by clicking on the “Books” tab in the navigation menu and select the blue button labeled “Add a Book.”)
Select any one of your books to create the account. If your book is not on the list, you can search for it by title or ISBN. (Note: Your book must be available for purchase on Amazon to set up an Author Central Amazon Account.)
Amazon will send you a confirmation email to finish creating the account. (Amazon may contact your publisher(s) as an additional measure to verify your identity, which may take three to seven days.)
Once again there is a follow button for your readers to click and you in turn can follow other authors. It is a great tool for marketing and increasing your author platform.
A book cover is an intrinsic part of any book. It is the initial draw for a reader to pick up the book before reading the blurb and deciding if the narrative appeals or not. For any of the best seller author’s you may pick the book in the knowledge you know their writing style and genre. However, have you ever wondered why there are differences in the actual book cover depending on where you live in the world.
Take a couple of Stephen King books for instance. (You all know I love him!) I have the UK and USA versions of two of his books below. The images relate to the narratives but are very different in atheistic.
So why the differences?
Publishers buy the text of a book, not the cover as the cover is the property of the initial publisher. So this means international publishers have a choice:
Negotiate a license for the initial cover or,
Make their own cover.
Publishers generally choose the second option, as it gives them the opportunity to make their own creative choices. This is dependent on their market and the position the book. There may also be factors, such as the size of the market. The UK has a smaller marketplace as opposed to the US, which is a larger geographic area. The book cover may need to be more specific in a larger marketplace. Each editor has their own vision for the book and a good sense of their market, so will use a cover that best serves that genre’s (and author’s) readers. In most cases, publishers are only buying rights to the book for a single country or language, so can tailor make the cover to suit.
The other reason for a change in a book cover is to update it to current atheistic and tastes. A book cover published in the 1970’s would look outdated and tired, so a new look can attract younger readers.
For example: The Stand. As you can see the 1978 original is dark & light fighters, then the TV movie tie-in cover and also an array of other covers. It gives you an idea of the development of a cover for the same narrative.
Do you have older versions of books on your shelf? Care to share?
I did actually change one of my covers. The first one, I created myself (and it looks it to be honest!) The second I hired a designer. I love the imagery.
Then when I wrote the sequel, my designer created a complimentary cover.
This is an excerpt from Chapter Forty-OneA Secret Place – 2002
As the evening grew darker Gina took Caroline’s hand and led her further down the valley towards a grove of olive trees. Gina told Caroline she had a secret place where she spent many peaceful hours. It was there she found a deep pit covered with wooden planks hidden in the undergrowth. Caroline was intrigued so came prepared with a rope.
“See here, Caroline, here is the pit as I told you. The wooden lid is held down with a large boulder. Why would someone do such a thing? It could only be a water well, don’t you think?”
“I’m not really sure but whatever the reason, I am curious to see.”
“It may not be safe shouldn’t we ask the archeological dig people to look?”
“If I find some precious artifact or relic I will certainly get James over here. Now don’t worry I will be careful.”
With one end of the rope tied to a sturdy olive tree Caroline’s excitement grows. She holds a lantern over the void, before lowering herself down slowly. Gina watches as Caroline gradually disappears into the inky blackness.
The lantern hanging off her belt Caroline’s descent was slow but gradual and her eyes could pick out roots and rocks jutting out of the pit walls. Eventually she felt her feet touch ground and called up to Gina.
“I’m at the bottom now.”
“Be careful, is there no water? You don’t know what’s down there.”
Peering through the gloom Caroline suddenly gave out a cry making Gina jump and call down to her.
“Are you all right?”
“Yes, I’m fine but I’ve found a skeleton!”
Both girls exclaimed at once “Who could it be?”
“I have no idea but I’m guessing this well has been dry for quite some time.”
Caroline knew she would have to get the Professor down the well with proper equipment; it could be a wonderful discovery. For now she needed to make sure she didn’t disturb anything and made her way back up.
Miss Benson’s Beetle by Rachel Joyce Absolutely loved this book! Great characters, story, tension, discovery and the power of finding your true self. The descriptions transported you to the locations. I thoroughly recommend it.
My next read is Saying Goodbye is Easy – A Life in Short Stories by Kathie Sutherland.
What are you currently reading? What was your last review?
1. What inspired you to write books for children to aid with reading and writing?
For about 15 years, I worked as a library programmer, so every week I had two or three programs for preschoolers. My favourite group was the 5-6-year-olds, who were just learning to read. They have such active imaginations and often like to see themselves as players in the story. I loved working with them, finding great children’s books, and then reading the stories aloud to them. After a few years, it felt very natural to start writing for this age group. Also, a writer-friend Alison Lohans had an opportunity to give a workshop in writing for children. I took that, and it put me on the path. Eventually, I got my MFA in Creative Writing at the University of British Columbia with a major in writing for children and young adults.
2. Do you think reading is the gateway to learning and life skills?
Yes, absolutely. It’s also a lot of fun!
3. How does the construction of the content aid understanding in children?
I’ve been lucky to work with several top-notch traditional publishers on the books I’ve written for children and middle-grade readers. I don’t self-publish so I am not usually involved in the construction of the book, but a writer can always help by inspiring the editors with punchy writing and ideas. As a journalist, I had always suggested backgrounders and sidebars, or short related articles, so I was on the watch for that. And I’ve noticed that surrounding a non-fiction narrative with fact-boxes and short in-set articles can really grab the attention of readers. When I was writing Dragonflies are Amazing, for instance, the editor asked me for some “fun facts” to create a fact-box. I put together about 20 facts, and worked on them so they had an engaging style to activate a kids’ imagination. The editor ended up putting the facts in a graphic format that looks like dragonflies flying around the page. You actually have to turn the book around to read them. Very cool! She also put the images in puzzle pieces. The overall effect of that book is as amazing as the dragonflies, and it really works to attract reluctant readers.
4. Where can schools access your books?
Schools order the children’s books directly from the publishers, but I also distribute some of them locally to schools and libraries in my home town and area during readings and workshops. My young adult series Last of the Gifted is available everywhere, from Amazon to local independent bookstores, through publisher Wood Dragon Books.
5. Did your Welsh heritage influence your stories?
My Welsh heritage influences my young adult series, Last of the Gifted. My grandfather was had been born in Wales and I knew he was a Welsh speaker. All of my grandparents had died before I was born. When I was a kid, my friends had grandparents but not me, so I guess I became a little obsessed by them. But my dad died young, and it was hard finding out much about my dad’s parents. Since I was a journalist, I wanted to get into travel writing, so I planned a trip to Wales to do double duty and find out more about my own heritage at the same time. I had rented a cottage on a sheep farm in north Wales, so one day I went to see Dolwyddelan, a castle built by the last true Welsh princes. Inside, there were placards showing the history, and how losing a war in 1282 caused them to lose their language and their way of life. I started thinking about what it would be like to actually live through something like that, and that led to writing about it. It’s been my “heart” project ever since.
6. How did your magical characters evolve from idea to story?
I actually started out by free writing the scenes in Spirit Sight. I had covered an article on a falconer and I was very intrigued by his falcon demonstrations. One day, while I was doing research on North Wales, I started wondering what it would be like to see through the eyes of a bird. I started free writing and the opening scene came together. I’ve revised and refined it since, but that’s still the opening of the book. From there, I started reading about Welsh legends and myths, and my magical world evolved from that.
7. Is imagination important for children?
It’s important for everyone. There are a lot of ways to use and grow our imaginations, but reading is definitely one of the best ways. And writing helps, too!
8. Are there other subjects/topics you want to write about?
Yes, lots. I have a couple of contemporary fantasy novels on the go as well, as well as short stories. My writing is speculative fiction with some connection to ghosts or the past influencing the present. I still write articles for magazines as well, and that inspires me in different ways.
9. Where is your favorite place to write and why?
I write at my kitchen table, actually. I have a perfectly good office and I fully intend to use it, but the kitchen has better light and a lovely window looking out at the park across the street. I always wrote in the kitchen when my kids were young, and that tends to be where I end up.
10. Do you have upcoming projects? Can you talk about them?
I have a lot of projects on the go. I’m working on one more book now in the Last of the Gifted series, and I have started another related series. Last NaNoWriMo, I wrote a novel from the same time but unrelated to the series, more medieval romance, just for fun. I’d like to do something more with that, too. And there are the contemporary novels as well.
11. How can readers find you?
My website is the best place, and I’m on social media too. Here are some links:
Marie Powell Bio:Marie Powell’s castle-hopping adventures across North Wales to explore her family roots resulted in her award-winning historical fantasy series Last of the Gifted. The series includes two books to date, Spirit Sight and Water Sight (participation made possible through Creative Saskatchewan’s Book Publishing Production Grant Program). Marie is the author of more than 40 children’s books with such publishers as Scholastic Education and Amicus, along with award-winning short stories and poetry appearing in such literary magazines as Room, subTerrain, and Sunlight Press. Among other degrees, she holds a Master of Fine Arts (MFA) in Creative Writing from UBC. Marie lives on Treaty 4 land in Regina, Saskatchewan. Find her at mariepowell.ca
I’m putting out a call to all book clubs. Would you like me to join you virtually? I have a wide range of novels that I would be happy to discuss – romance, speculative fiction, steampunk, mystery, fantasy. Ask me how I came up with the concept, where my characters came from, what I am working on now.
I am also happy to attend a virtual school book clubs as I have children’s and YA fiction as well, so let me know if you are interested. I can talk about how to expand on an idea, create a plot arc and make up a character.
You can find all my books on this blog under children’s, YA or adult books. Take your pick(s). I can also offer a gift package for a draw. Let me know if you are interested by commenting below or contacting me via the contact form.
Let’s immerse ourselves in stories. Our imaginations let us escape reality.