Mandy Eve-Barnett's Blog for Readers & Writers

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Creative Edge Author Interview – Donna Conrad

September 9, 2021
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  • Were your core beliefs the reason you began writing historical fiction?

In a way, yes. I was an English and History major in college and had a hard time finding information about influential women. I was appalled that even noble and royal women were rarely named while historians wrote tomes about the deeds and misdeeds of their brothers, husbands, and fathers. I initially felt compelled to give voice to women who had been marginalized, let alone completely overlooked. When I came across the African proverb, “Until the lion learns to write, every story will glorify the hunter,” I knew I must write novels about significant women based on strong historical evidence which had been supressed.

  • Did you grow up in an atmosphere of individual empowerment or did life experiences propel you in that direction?

My childhood was anything but empowering. I was terrified of my psychotic, authoritarian father, and ashamed of my mother, who did not stand up for herself, but instead fell headfirst into a bottle of whiskey to cope with her life. And yet, I always knew my mother and sister loved me unconditionally, something that sustained me through the trauma that was both my youth and the Sixties in general.

Despite her own demons, my mother managed to raise my sister and me to be strong, independent women. I learned from her example and vowed early on to never subjugate myself to another’s will, whether that of a person, a government, or a religion. When I met my husband, I realized he valued my independence. He encouraged me to be empowered and a freethinker. We’ve been married for 44 years and are still equal partners striving to become more self-aware. My husband tells people, “No one yells at Donna … twice.”

Book Cover, Cold Creek Press
  •  Where did the link to Celtic Tradition come from?

My mother was Irish and never felt quite at home with Christian dogma. She raised me in the “old ways,” which she learned from her grandmother. We celebrated the Celtic Wheel of the Year. As I child I loved the freedom to run in the fields and lay under a tree as my form of worship. I was taught that all things have a lifeforce, whether that be rock, tree, river, ocean, animal, or human. The earth-based spirituality practiced by the Celts felt natural and liberating. I gave Christianity a try in my early teens but found the basis of original sin constricting and repressive. As I grew older, I embraced my mother’s tradition and researched the “old ways” through books, retreats, and eventually leading my own quarter day celebrations.

  • Do you feel women’s wisdom is supressed in modern culture?

There is a resurgence of respect for women’s wisdom in many parts of the world. If we look back 200 years, or even 100 years, women who expressed wisdom were shunned, if not murdered. Even in fairy tales, the wise old woman, the woman who knows herbs and healing and speaks with the forest animals, is always a haggard, old, evil witch, that preys on children and the unwary; someone to be scorned. With women in the forefront, late 19th and early 20th century occult spirituality led by Madame Blavatsky’s Theosophical Society and Annie Horniman’s Order of the Golden Dawn, women began to openly reclaim their personal power.

With the “women’s rights” movement of the early 1970s, and courageous leaders like Gloria Steinem, women began to publicly claim their inner wisdom and outer proficiency.

What we see from a historical perspective, is that anytime women advance in society it is through their own leadership and determination. The #MeToo movement is a great example of women joining together to bring about change. I’m speaking in broad terms of empowerment, but respect for women in all aspects of their lives, including women’s wisdom, cannot be separated from women’s empowerment.

While most of the world still suppresses women’s wisdom, there are pockets of light where women are honored. The Maiden, Mother, Crone aspects of women are certainly making gains, even though the perceived roles of women as Temptress, Whore, Witch, persist.

  • How did growing up in the 1960s affect your personality?

The Sixties were remarkable. Young people felt anything and everything was possible if we wanted it badly enough. The sixties stereotypical “free-love” culture received most of the press, but it was the larger desire to embrace “free-thinking” that motivated my generation. Definitely me. Conforming, following rules, becoming our parents with their warped sense of patriarchal rule, was anathema. My generation believed that if we united, we could affect change—and we united as had rarely been seen. My mother always encouraged me to think for myself. She encouraged me to question authority, even hers, and when given an answer, question that too!

As I grew older, went to college, started teaching high school English, I found that I could carry my values from the Sixties with me into the “adult” world, use them to help others find their own uniqueness, their own authenticity. The Sixties concepts of freedom of thought, freedom of action, freedom to live as one wanted, were tempered by another guiding star from my mother: Do no harm.

I continue to question authority, laws, regulations, first impressions, and the nature of people who enter and leave my life. I value unique qualities in people and depend on my inner sense to form, and break, my own opinions.

  • You wear many hats – memoirist, fiction author, journalist, activist, and teacher. Do these roles contribute to your writing?

Everything a writer does, or doesn’t do, influences what they write. I’ve found that even the agonizing writer’s-block is there for a reason: To shine a spotlight on what is blocked or hiding in one’s life at that moment. The many hats I’ve worn lend me varied perspectives about people’s actions and motivations.

I started writing the first book in my historical fiction series, The Last Magdalene, before I wrote House of the Moon: Surviving the Sixties. I realized my fascination with women marginalized throughout history was partially because I too had been marginalized and silenced; that my generation arose to claim our voice, to make certain we were not ignored. Writing my memoir was both traumatic and liberating. When I found I was able to write an unvarnished version of my teen years, it became imperative that I do the same for other women. I went back to square one and wrote The Last Magdalene from a deeper level of comprehension.

I find that the common thread in everything I do is to be authentic and to allow myself to change perspectives as I learn more about “life, the universe, and everything”—to quote one of my favorite authors, Douglas Adams.

  • From where do you gather your research? (Library, archives, internet etc.)

I use every means available but find physical books and research papers especially gratifying. I also like to travel to locations in order soak up the ambiance, feel the sun or rain, hear the sounds, touch the stones, eat the food, and immerse myself in the history of any given place. I even went back to my childhood home in Covina, California and walked around my high school while writing House of the Moon.

My research for The Last Magdalene includes studying with a Hebraic scholar, Shana Laxx, from Haifa University, to better understand women’s place and participation in ancient Judea. The primary written sources for my series, The Magdalene Chronicles, are from my personal library and include works by several Roman and Egyptian historians, Josephus, Elaine Pagels, and multiple translations of both the Torah and New Testament. I find reading various renditions of history to be illuminating, and helps me to see differences in various editions, and more importantly what one translator left out, or added.

I do refer to the internet but am skeptical about fast and easy searches. I end up going down the rabbit hole for hours on end trying to source information, and often end up back in my personal library, or emailing university professors who are always helpful and eager to aid in my research.

  • What surprising things did you learn from writing your books?

How much I don’t know!

I’m also continually surprised at how interconnected people are, even when there are no physical ties that bind. But above all other surprises, the reach of the written word is what continues. Books have been a major source of inspiration throughout my life. Maya Angelou, Alan Ginsberg, Hunter Thompson, Marion Zimmer-Bradley, Sharon Kay Penman, and so many other authors and poets have shaped my perspectives, given me both hope and despair. When someone contacts me to say my writing has impacted their lives, I’m hugely surprised and gratified.

  • Where can readers find you and your books?

My website is www.donnaconrad.com.

Facebook: https://www.facebook.com/Dconrad999

Instagram: https://www.instagram.com/donnadconrad/  

Twitter: https://twitter.com/DonnaDConrad999

Or send me an email at donna@donnaconrad.com.

I also teach at various conferences. The next workshop on the agenda is Real vs. Reality, a hands-on workshop to help writers take facts and turn them into dynamic prose. https://www.pnwa.org/page/ConferenceRegistation

I am also represented by Creative Edge: http://www.creative-edge.services

  • What message do you want to give your readers?

Every person can make a difference, but it takes courage and authenticity. Don’t doubt your abilities or your insights. To quote Oscar Wilde, “Be yourself. Everybody else is already taken.”

Bio

Donna Conrad is an award-winning author, journalist, activist, and teacher. Her core values revolve around the concept of individual empowerment, a sustaining ideal running through the books she writes. Her writing interests are varied and include articles for fine-art periodicals, memoir/narrative non-fiction, as well as historical, flash, and paranormal fiction. She teaches all of the above at writers’ conferences.

Her first published book “House of the Moon: Surviving the Sixties,” has received rave reviews.

Donna’s life is as varied as her writing. She embraces change as an exciting adventure. She has studied writing with the likes of Alan Ginsberg, Lawrence Ferlinghetti, and Jack Whyte. She has also been mentored by Donald Maass, whom she worked with privately on her upcoming four-book historical fiction series, “The Magdalene Chronicles.” Book One, The Last Magdalene, is scheduled for publication April 2022.

She lives in the Pacific Northwest with her husband and their five cats. When she’s not writing, you can find Donna cruising the back roads in her black-on-black Miata MX-5, Maya – named for one of her favorite poets, Maya Angelou.

Her memoir, House of the Moon; Surviving the Sixties has received critical acclaim. The first of her four-book historical fiction series, The Last Magdalene, is scheduled for publication April 2022.

Author Interview – Boris Glikman

September 2, 2021
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1) Where do you find inspiration? Does place or observation, or both influence your writing?

Ideas come to me from everywhere, both from external and internal sources. It’s a ceaseless flood of ideas really that I experience, evoked by a wide range of random stimuli such as: images that I come across by chance on the internet; things I see on TV; things that I read in books; even snatches of conversations overheard when passing people in a street.

Dreams are also an important source of inspiration for me and many of my stories have had their origins in dreams. Dreams give me the initial idea for or the outline of a story and I then work further to turn those ideas into complete stories.

Most of all, ideas come to me through the process of spontaneous generation, i.e. they arise out of nothing in my mind.

Given this unceasing deluge of new ideas, it is very rare for me to have to struggle to think up of something to write. In fact, the very act of sitting down at the desk, picking up a pen and opening a notebook transports me to a zone in which a conduit is established to a world populated by eternal truths and infinite beauty, and ideas flow effortlessly as long as I am in that zone.

2) You write short stories and poetry – what are your processes for each discipline?

The first step of the process involves getting the initial idea. I jot down these ideas in small notebooks that I use for noting down ideas that have the potential to be expanded further or that require further work on them. At this stage, the idea usually consists of a sentence or a paragraph.

At the next stage of the process, I explore the initial ideas in detail and or turn them into drafts for stories and poems. This is done in a larger sizednotebook. Because of the flood of ideas discussed in the previous answer, the length of time between having the initial idea and getting around to exploring it in detail could be as long as a decade. As a result I have a backlog of about ten years of ideas that I haven’t had the chance to work on as yet and to expand into finished stories and poems. 

The final stage of the process involves transferring the drafts from my notebooks into a computer. I then work further on those drafts, editing and re-editing them, until I am happy with the final result.

So, getting the initial idea comes more from intuition and inspiration, and the later editing and re-editing of drafts requires more method and logic, while the intermediate steps of the writing process are a combination of both intuition and logic.

3) How does your creative brain balance with your critical one? In particular, your mathematical proofs.

The balancing of the creative and critical brains is not really a conscious decision that I have to make, for it is something that just happens naturally. ie If I am working on my writings, then I employ the creative side of the brain. And when I am working on scientific and mathematical topics, my brain just switches automatically into another mode. In fact, sometimes it may happen that while I am working on my writings, I might have a mathematical idea and so I instantaneously turn to working on that idea and then go back to working on my writings, and it really doesn’t take any effort at all to switch between the two modes of thinking.  

4) Is creative writing your only creativity?

Firstly, please let me clarify that stories and poems are not the only things that I write.

I also write (among other things) non-fiction, philosophy, psychology, spiritual pieces, vignettes, micro-fiction (including 6 word stories), humorous articles, surrealism, aphorisms, parables, fables, travel writing, ekphrastic writings and song parodies.

Having said that, I must add that science had always been my first love and I have been creative in the mathematics and physics fields since my teenage years. Until relatively recently, mathematics/physics/science fields were my first interest and it is to them that I devoted most of my time and creative energy, and writing was a distant second interest.

5) Have your degrees influenced your creative work in any way?

Firstly, just to explain, I have an Arts degree in Philosophy/Linguistics and a Science degree in Mathematics/Physics.

I think that the influence of philosophy on my writings is clearly evident to anyone who takes a look at them, as a lot of my writings concern themselves with philosophical issues.

The influence of linguistics is a bit more subtle and probably manifests itself in the games that I like play with words and their meanings in my stories and poems. 

I think this influence of science shows itself in a number of ways in my work. On a more overt level, the subject matter and the themes of my stories and poems often have allusions to mathematics and physics. On a more subtle level, I think that my scientific background does influence my thinking process and the way that I go about creating the plot and development of a story. In fact, some readers have remarked that my stories have a mathematical structure  and that they flow almost like a logical argument. 

6) Can you enlighten us about your involvement in the spiritual community?

I was involved with a spiritual community in Melbourne on and off for about 5 years. At the time, it helped me with finding my path in life.

The guru of this community gave me my first big break with my writing career when he started reading out my non-fictional spiritual and philosophical pieces, as well as some of my fictional pieces in the public programs in front of hundreds of people.

His reading of my work and the responses that my writings received from the audience gave me the confidence to start sharing my writings with others, as until then my writings have always been a secret part of my private world and I never shared them with anyone. In fact, I used to think that I would never share my writings and that they would always remain a secret part of my private world. But things have turned out to be rather different! 

7) What did you learn from your script writing venture?

I contributed some of the dialogue to a short film titled “Six Steps to Eternal Death”. I attended several days of filming to see for myself how it all works and was pretty intrigued by how written words are turned into the visual medium. It was also interesting to see how a script is developed over time, and how much is altered and deleted until the final form is reached. 

8) Where can readers find you and your books?

This is my blog which has a lot (although not all) of my work on it: https://bozlich.wordpress.com/

This is my website: https://authorborisg.blogspot.com/

And here can be found links to various anthologies in which my writings have appeared:

https://authorborisg.blogspot.com/p/published-works_6.html

9) Do you have a new book in progress?

Yes, I am working on a book titled “Anti-Labyrinths” which will be a collection of my stories, poems, fables, flash fiction, aphorisms etc.

“Anti-Labyrinths” is a word and a concept that I came up with. As labyrinths are places where you get lost, anti-labyrinths are places where you find yourself. A labyrinth has only one entry,  and its secret can only be discovered at one point – its center. An anti-labyrinth, on the other hand, can be entered and exited at any point and at every point of an anti-labyrinth, secrets and mysteries are revealed.

My book “Anti-Labyrinths” will itself function as a kind of an anti-labyrinth, revealing truths and secrets at every point of the book, and helping the reader to find themselves. And, just like an anti-labyrinth, “Anti-Labyrinths” can be entered or exited at any point; you don’t have to start reading it at the beginning or finish reading it at the end.

Bio:

BORIS GLIKMAN is a writer, poet and philosopher from Melbourne, Australia. His stories, poems and non-fiction articles have been published in various online and print publications, as well as being featured on national radio and other radio programs. He says: “Writing for me is a spiritual activity of the highest degree. Writing gives me the conduit to a world that is unreachable by any other means, a world that is populated by Eternal Truths, Ineffable Questions and Infinite Beauty. It is my hope that these stories of mine will allow the reader to also catch a glimpse of this universe.”

Bibliophile’s Collective Tuesday – Book Title Changes and Kid’s Writing

August 31, 2021
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We have looked at how book covers change from country to country, but how many titles have changed? Do you know?

I have altered a couple of my own titles as the story evolved and a better title came to mind. Initially, when I was writing my YA novella, Creature Hunt on Planet Toaria, the main character, a robotic protector was my focus. The working title was Bubble the Grubble as the initial story concept was for a younger audience. As the narrative formed it was obvious that the story would appeal to an older readership. So I changed the title to reflect that.

The other title, I changed was The Commodore’s Gift. Initially, this story was a writing exercise prompt on a writing retreat, using a random title. I was assigned ‘The Toymaker’ and wrote about Marcus, an exceptional toy-maker, and his capture by the Commodore. The completed story was 7900 words. Although, Marcus is still part of the completed novel, his role is significantly reduced.

Did you know the former titles for these famous novels?

First Impressions Became Pride and Prejudice. All’s Well That Ends Well Became War and Peace. The Un-Dead Became Dracula. The High-Bouncing Lover Became The Great Gatsby.Tomorrow Is Another Day Became Gone with the Wind. The Last Man in Europe Became 1984. The Return of the Shadow Became The Fellowship of the Ring. Strangers from Within Became Lord of the Flies. Second Coming Became ’Salem’s Lot.

Can you add to this list?

I attended an in-person event on Friday, the first since the pandemic began with members of my writing group. It was a local fun day for culture and sport. The main focus was to present the winner’s of our annual children’s writing contest with a book, which included their stories. As you can imagine it was a fun watching these young writers see their writing in a published book. We also promoted the monthly children’s writing workshop, so they can continue writing and improving their skills. Currently, the event is held virtually, so it is not limited to who can attend. Details are on the calendar. https://www.wfscsherwoodpark.com/ The workshops are held the second Thursday of every month. 6.30 pm MST

Do you know a young writer that would be interested?

Author Interview – Kathryn Elizabeth Jones

August 26, 2021
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How long have you been writing?

I have been writing since 1987. I started as a journalist, went to college in my 40s, and continued to write after that. My first book, “A River of Stones” was published in 2002.

You write in multiple genres – do you start with the genre and then the story or the other way around?

The genre usually. For my most recent book, I knew what the genre was going to be pretty close to getting it going. I have written mystery, YA fiction, middle reader, nonfiction, a picture book, Christian fiction, Christian Historical Fiction and science/fantasy, so you can imagine what my mind is like.

Which do you find the most challenging to write – fiction or non-fiction?

That depends on the research. When there’s a lot of research, the time it takes to finish a book is lengthened. The easiest books for me to write are those that mostly come from my head. If the book is based on where I live or a place where I’ve vacationed, the challenge is lessened.

Where did the ideas for the Brianne James Mystery & Susan Cramer Mystery Series’ come from?

I really wanted to tackle a mystery, and so I thought how it would be if I was a detective, having no training and no experience in the field. This is Susan Cramer. She loves a great mystery but she really has no idea – especially in the beginning – how to solve the crime. I am like that. The ideas after that came from my ‘strange’ mind. I am always asking what if questions. What if someone died in an old hotel and everyone thought You were the murderer? What if you were on a cruise ship and an old man died at your feet?

Do you have a favorite character and why?

I would have to say Brianne James. She is the daughter to Susan. And she has a little more of her wits about her. She is tough, too.

Were the series planned ahead or did the character’s dictate a continuation?

The series was not planned ahead. “Scrambled” was a one book wonder in the beginning. I wrote it because I was attending college and I needed money for school. I received a $500 scholarship from Mystery Writers of America after sending in my first chapter – a chapter I wrote for one of my college classes.

What is your writing process?

Get up. Sit down. And write. I treat my writing like I would a profession because it is. Writing is NOT my hobby. Yes, I love it, but I write because I have to. I go through multiple drafts and revisions before I call something finished. A have a part-time job as an aide at an elementary school, and two businesses – we publish too over here,             [Idea Creations Press] and run a non-profit [Trees For Keeps], so I keep myself pretty busy.

Do you have a favorite place to write?

Our family just returned from a vacation to Bryce Canyon, Utah. It is a beautiful place. Every morning I would sit out on the porch and write. I loved it. At home I have my office. It’s not as peaceful as an early morning in the canyon, but I love having a work space just for writing.

Does your own life experience play a part in your characterizations?

This question makes me smile. Yes. There is a lot of me in my books. The goofy girl. The question asker. The mystery maker. The searcher.

Where can readers find you?

I love it when readers find me at my blog and learn something new about writing, marketing, or publishing. http://www.ariverofstones.com. I also have a fun Author’s Amazon page here.

BIO:

Kathryn is a lover of words and a bearer of mood swings. When she is feeling the need to inspire, she writes a Christian fiction book. If a mystery is waiting to be uncovered, she finds it. If something otherworldly is finding its way through her fingertips, she travels to it.

Kathryn has been a reader since she was a young child. Although she took classes in writing as a teen, it wasn’t something she really thought would become her career until she was married. And even then, it took a few more years for something worthy enough to publish to manifest itself.

Kathryn’s first book was published in 2002. Since then, many other books have found their way out of her head depending on the sort of day she is having. Kathryn is a journalist, a teacher, a mentor, an editor, a publisher, and a marketer.

Her greatest joy, other than writing her next book, is meeting with readers and authors who enjoy the craft of writing as much as she does.

Tied Died: https://www.amazon.com/gp/product/B074P1HCCN/ref=dbs_a_def_rwt_bibl_vppi_i13

Buckled Inn: https://www.amazon.com/gp/product/B079K49SS2/ref=dbs_a_def_rwt_bibl_vppi_i12

Creative Edge Author Interview – Jennifer Anne Gordon

August 12, 2021
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  1. Have you always been fascinated with the dark side of reality?

Yes, I think I have been. I remember sneaking into the living room and watching part of the movie Poltergeist when I was too young to be watching it. Luckily it was edited for TV, but still I think that was the beginning of it for me. My friends and I from my neighborhood also used to do our fair share of frolicking in the local cemetery. It was the in between spot for most of our houses and it ended up being the social epicenter for our preteen and teen years.

  • Are any of your narratives based on a true-life experience?

There is a little bit of truth in all of my characters and some of their experiences. There is part of me inside all of them, but the circumstances they find themselves in are entirely fictional,

  • Why the Gothic Horror genre specifically? What draws you to it?

I love the idea that the past is never truly dead. That the past is always alive in the present. That is the true core of gothic fiction. For me I like to play with how the past can still be the driving force of a character. Often times I use memory, or grief, PTSD etc. to be the things that are “haunting” the present. Other times I use actual ghosts. Personally I find memory and grief to be even more frightening than a ghost at times.

  • Do you have a favorite character and why?

I think I would have to say Adam from Beautiful, Frightening, and Silent. He was my first main character, and he just found his way deep into my heart. He was hard to let go of.

  • Is there a place that inspired Dagger Island?

It is roughly based in some ways on a combination of Star Island (in the Isles of Shoales) and Peaks Island off the coast of Portland Maine. Neither of these real-life islands are a gruesome and haunted as Dagger Island is, but there are little bits that work perfect for me for Dagger Island.

  • You have many forms of artistic expression. How do you choose, when inspiration hits?

I think all od them satisfy certain aspects of my personality. To me visual art (painting and photography) are the ones with the least pressure on them, so I can still have the most fun with those without consequences. Writing speaks to my soul the most, so that one always feels like there is a lot riding on it. It also feels the most personal when someone doesn’t like it. Dance has been my primary job for so long with teaching and performing that it also seems easy to me.

  • Is dance an external expression for your internal art?

It can be, depending on the dance and the partner. My husband and I used to perform a lot. We would do hour long dance pieces that were entirely improvisational and would be performed to dark ambient and nontraditional music. I really felt that those were the closest to come to a physical interpretation of the books I now write. Part horror, part beauty, always mysterious.

  • Can you tell us a little about your Vox Vomitus Podcast? Why you created and what is its mission?

I fell in love with podcasting during the early part of the pandemic, not only being a guest but also, I was able to guest host a couple shows and I really loved being able to talk with authors. Vox Vomitus (which is fake Latin for word vomit) was born out of the idea that sometimes we can learn from our mistakes and learn from other’s mistakes. As authors we all have trials and tribulations. On Vox Vomitus myself and Allison Martine speak with the best authors working today and we can have a cocktail with them and talk about not just what went right, but also what went horribly wrong along the way. I have made some tremendous friendships through the podcast as well. So, our mission is to entertain, educate.

  • What prompted the idea for Pretty/Ugly?

Way before Covid I thought about writing a book about a pandemic. A virus that if it didn’t kill you would leave you horribly scarred. I wondered about our society and the people who seem to be “all surface” with nothing underneath. So, I wanted to play with that idea, of what you can be if everything you are is taken away. It became about much more than that. Though the idea came about before Covid, I think writing part of this during the pandemic really helped to shape the gravity and the enormous sense of loss that I needed in order for the stakes to be as high as they had to be.

  1. Did the story stay true to its original form or change as you wrote?

Oh I think I answered that a little before. It changed A LOT as I wrote it. My original intention was to write a dark Rom Com that happened during the apocalypse. I ended up writing a very lyrical meditation on grief and trauma, and self reflection. I wrote about trying to forgive yourself and trying to allow yourself to love and be loved…all the while people are dying, and the world is ending.

  1. Where can readers find you?

The easiest place to find me is on my website http://www.JenniferAnneGordon.com that has links to all my social media. I am especially active on FB and Instagram!

  1. Do you have a work in progress? Can you share anything about it?

I have a couple work in progress pieces. One that is my main work in progress I cannot talk about. My agent (the amazing Paula Munier at Talcott Notch) would kill me. I will say it is not horror.

I have also been toying a bit with an auto-fiction novella, which is both a story about a possible haunted house as well as a story about elder care and the horror of Alzheimer’s.

  1. Do you have a message for your readers?

I would just love to thank each and every one of them for being with me on this journey, and for forgiving me for breaking your hearts in every book.

mickey.creativeedge@gmail.com

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