Inconceivable - definition: not conceivable; unimaginable; unthinkable
Writers have the ability to make the unimaginable reality in their narratives. There are no barriers, no limits to what a writer can create. Distant worlds, alternative realities and curious creatures are brought to life for the reader.
It may seem rather 'easy' to create a whole new world, but in actual fact there are numerous hurdles you have to jump. Fantasy readers, in particular, are extremely meticulous in ensuring consistency in a fantasy work and the 'laws' of the land therein.
This Q&A page is a great way to find out if your creation will stand up to their scrutiny.
http://www.sfwa.org/2009/08/fantasy-worldbuilding-questions/
And a great link for tips on world building here:
http://www.malindalo.com/2012/10/five-foundations-of-world-building/
Of course world building is not restricted to fantasy. If you are setting your narrative in a particular time period you must ensure everything your characters use and interact with, are from that era. A 1940's housewife will not have the luxury of a microwave oven, for example. However, when you have time travel within your story greater detail is required to ensure each era is true to its original. This not only gives the reader clues as to where and when your characters are but also gives your protagonist obstacles to overcome. Unless of course you have a time traveler visiting!
With attention to detail and solid back story, every narrative can be believable no matter how fantastical the characters, creatures or situations. Most of us 'believe' in Hobbits, Harry Potter and the like because the narratives are so strong in the basics of world building.
I have used reincarnation (The Twesome Loop), an alternative future (life in Slake Patch) and magical creatures (Ockleberries to the Rescue) in some of my novels. If you can imagine the inconceivable - you can write it.
What fantastical worlds have you created?
How did you decide on the 'laws'?
Related
Writers have the ability to make the unimaginable reality in their narratives. There are no barriers, no limits to what a writer can create. Distant worlds, alternative realities and curious creatures are brought to life for the reader.
It may seem rather 'easy' to create a whole new world, but in actual fact there are numerous hurdles you have to jump. Fantasy readers, in particular, are extremely meticulous in ensuring consistency in a fantasy work and the 'laws' of the land therein.
This Q&A page is a great way to find out if your creation will stand up to their scrutiny.
http://www.sfwa.org/2009/08/fantasy-worldbuilding-questions/
And a great link for tips on world building here:
http://www.malindalo.com/2012/10/five-foundations-of-world-building/
Of course world building is not restricted to fantasy. If you are setting your narrative in a particular time period you must ensure everything your characters use and interact with, are from that era. A 1940's housewife will not have the luxury of a microwave oven, for example. However, when you have time travel within your story greater detail is required to ensure each era is true to its original. This not only gives the reader clues as to where and when your characters are but also gives your protagonist obstacles to overcome. Unless of course you have a time traveler visiting!
With attention to detail and solid back story, every narrative can be believable no matter how fantastical the characters, creatures or situations. Most of us 'believe' in Hobbits, Harry Potter and the like because the narratives are so strong in the basics of world building.
I have used reincarnation (The Twesome Loop), an alternative future (life in Slake Patch) and magical creatures (Ockleberries to the Rescue) in some of my novels. If you can imagine the inconceivable - you can write it.
What fantastical worlds have you created?
How did you decide on the 'laws'?
Creating a believable world within the pages of a story is the job. The reader needs to be drawn in and to suspend disbelief, then we can create anything the mind puts forward. Sean
At a minimum, the laws should seem consistent. The author is also challenged to make sure that the characters couldn’t have found a much simpler solution using the available laws.