When it came to my author newsletter, I asked my subscribers what they wanted to hear from me. I also looked at other newsletters for ideas. It is a great way to formulate how you want your newsletter to look and to give you ideas on your content and frequency of transmitting it.
Tip: You can pre-write your newsletter and schedule it.
Make sure you are not mailing out your newsletter too frequently or it will become a chore. I send mine monthly (most of the time!)
Chose a name for your newsletter and stick to it.
Mine is Musings from Mandy Eve-Barnett – to distinguish each newsletter I add the month and a title.
Here is a list of possible content you can include: (it is by no means conclusive though).
Personal anecdotes and photos of your everyday life. You can include your writing space.
Behind the scenes peeks – what you are currently writing, ideas formulating etc.
Exclusive content like a cover reveal or a sneak peek at your next title
Launch dates of your new book
Events you are attending (due to COVID19 these will be virtual of course)
Your writing process
Request feedback on a current manuscript/project
Interviews you have participated in with links
Spotlights/interviews of guest authors
What you are reading
Your book reviews
The goal of any newsletter is to promote, so make sure to include:
Your author bio Links to your blog, social media sites and any interviews and your book sale sites
Tip: Even unpublished authors can create an author newsletter. The sooner you start to grow your subscription list, the bigger your platform will be when you have something to sell.
Whether you spend time intricately plotting and creating your story line or let the story flow unbidden, one facet of all stories that must be created and created well are its characters. Your protagonist, antagonist and all the supporting characters have a ‘job’ to do. They must give our readers an insight into their personalities, their struggles, ambitions and fears. Characters build the ‘world’ you have set your characters within by showing it through their eyes, their thoughts and actions.
Every writer has his or her own methods, when it comes to the creation of a character.
For example, Setting: an alien being trapped in a spacecraft, a monster hunting its prey or specific behavior traits for period pieces.
Physical features: This primarily gives our readers an image but more importantly an idea of their personality. A thin, acne-faced teenager will not automatically give our readers the idea of a ‘superman’ kind of personality but a muscle bound, athletic type could.
Name: a good starting point for our creation, but it is also a minefield. Research into real persons, living or dead should be foremost, unless of course you are writing about that particular person.
Accent: a character’s voice says a lot about their location and background.
Real people or not: We can base characters on people we know or a combination of several or from people watching – an author’s favorite pastime. As writers situations, overheard conversation and life in general is a constant source of inspiration.
There are numerous ‘character development work sheets’ available on the Internet and it can be useful to fill them in for your main characters, if you have no clear ‘picture’ of them to begin with.
I tend to write the story letting my characters dictate how their story will unfold. In so doing the characters develop creating their own story. This tends to change the narrative from my initial perception. In this way they may develop characteristics I had not considered or react quite differently to a situation from my preconceived idea. This method may seem harder than having a detailed description of each pivotal character, their backstory and emotional compass, but it is my method.
We ‘live’ with our characters for a long time and they become ‘real’ to us. This enables us to write the story with ‘insider knowledge’ of our characters backstory, their emotional compass and their ultimate goal. This knowledge becomes paramount during the subsequent drafts and editing process, giving us a well-rounded character and a believable one for our readers. In truth, the initial draft is the testing ground for our characters, and revisions make them well rounded and ‘believable’.
How do you create your characters?
Recognize these characters? Remember how irate poor Wile E Coyote would become with Road Runner? No matter what he did he never succeeded in catching his ‘dinner’. Beep, beep would ring out as yet another ACME kit damaged the coyote instead of the bird. It was truly a lesson in perseverance. No matter how many times the speedy bird escaped the coyote he would try, try, try again. I actually went past a road sign to Acme on my way to Canmore one time and wished I could have made a detour just for the fun of it.
The art of creating such lovable and memorable characters is what every author strives for. We hope our creations will stay in our readers minds long after the last page has turned. Character profiles and back story play a large part in ensuring our characters are well rounded and believable. We delve into their personality type seeking out traits and habits to make them react to their crisis situations in an authentic way.
Do you make up scenarios for people you observe? Have any made it in to a manuscript?
Without characters our stories would have no real impact on our readers. We write to engage and intrigue them and hopefully make our protagonist the character our reader cares about. If your experience is anything like mine, there is usually one, or possibly two characters, that make their presence known in no uncertain terms. They want the starring role in our narrative. These characters are usually more defined in our minds and are ‘easier’ to relate to, whether because of a personality trait or that they are more fun to write. When creating the protagonist and antagonist in our stories, we give each opposing views and/or values. This is the basis of the conflict that carries our readers along their journey. Each character, whether major or minor, needs to have flaws and redeeming features, motivations, expectations, loyalties and deterrents.
With such a guideline our characters become clearer. A lot of the details will never reach the pages of our manuscript but knowing our characters well makes for a more believable personality as they struggle through the trials and tribulations, we subject them to. As most of you know I am a ‘free flow’ writer so everything is by the seat of my pants until the editing starts. This is where I find character flaws or great character traits that I can correct or build upon. My characters live with me during the writing process and usually lead me in directions I had never considered – I’m sure many of you can relate to that. As these personalities gain strength they become more ‘real’ and that is the moment their true selves appear.
When creating characters we must remember to ensure that each character acts and responds true to their given personality. Character profiles are a good way of ‘getting to know’ our characters. For example this sheet.
Firstly, it seems obvious but set a goal for your writing session. Do you know what your objective is? Are you brainstorming, creating a character description, outlining a plot, starting a new project or completing one?
Secondly, prepare for what you will be writing, do your homework for locations, period etc. Brainstorm ideas before you start, make notes. Create a inspiration list and find images for your story’s setting and characters. Make up a board, either physical or digital that you can have in front of you as you write.
TIP: Don’t be too ridge, let the story flow – it doesn’t always go to plan! But that’s the joy of writing.
Thirdly, gauge how committed you are to this piece of writing? Are you excited to start or is it feeling like a chore? If the latter, try something new or another project.
TIP:Use word or picture prompts to ignite your Muse to get you started and in a writing mood.
Also make sure you are in a good writing spot. Have you minimized distractions? Do you need quiet or music, a cafe or library setting. Or is your home space best for you or will there be too many interruptions?
Decide on how long you will write for. Don’t make the session too long or it will dampen your enthusiasm. Ensure you have breaks for refreshments, to stretch or even go for a walk.
Once you have these elements in place check your clock and set the timer. Don’t look at it constantly – just write. Lose yourself in the narrative. Enjoy the process. Don’t edit as you write – let the process flow. Let your imagination expand.
TIP: Don’t edit or revise – just write.
I like to sit in my living room with my laptop on a little table – in the warmer months, I can look out at the lawn and watch the birds & bunnies and in the cold months, I enjoy the fireplace. When we go on road trips, I usually sit at the desk or on the bed with my little table.
A good editor is worth their weight in gold. They not only fix your grammar and find and correct major and minor errors , but also improve your book’s content and structure in a way that preserves your style. There are two main processes a manuscript has to go through prior to publication. Both require a systematic approach.
Use these as a guideline to edit and proofread your manuscript before sending it to an editor. Expect a red-lined manuscript back and learn from the experience.
This process concentrates on:
Paragraph structure and clear transitions between paragraphs.There is a flow of the story – whether character development or plot.
Highlighting any repetition of words, sentence structure, and the correct use of any technical, historical or factual elements.
Helps to condense and improve the efficiency of your writing.
Questions your flow of the narrative.
A more focused approach to find common errors and the ones missed during editing. Here are a couple of tips to help you:
Read the manuscript out loud or divide it into sections. TIP Read from last chapter to first.
Rewrite structure if required, such as plot, story line, consistency and continuity. TIP Create a general outline 1 – 3 pages maximum to track the story line.
Scene outline. Read each scene to determine if they require editing or deletion TIP Do they push the story forward? If not delete them. TIP Create a check list for each step of proofreading. Then concentrate on that particular one at a time.
Print out your manuscript – it may seem odd to do this in the computer age but we perceive information differently between screen and paper. TIP Read it out loud. On hearing the flow of the language you will understand your strong and weak points.
TIP from the King!
We can be too wordy in our writing, Stephen King learned: “2nd Draft = 1st draft – 10%”. An average manuscript requires at least three rounds of editing and at each round try to shorten your draft for 10% of its original length.
Linear Edit. This is the point you deal with the minor issues such as rewriting sentences, exchanging with words, and fix grammar, punctuation, proofread for misspellings and typos.
Do you have a particular system or tip you use while editing & proofreading?
I have read about one author who prints the manuscript on different coloured paper for each step but this seems a bit excessive!
We are all feeling the repercussions of isolation, social distancing and lack of ‘normal’. It has affected everyone in a multitude of ways. For writers, who are normally ‘isolated’ in their writing life, there has been a change in atmosphere, inspiration, alone time and creativity. (Or lack thereof).
Whatever your normal routine, be it the impact of family at home, remote working arrangements or lack of access to resources, we can adjust.
Here are a few tips to try (or not):
One of the best options I have found is a virtual writing time. A group of us ‘meet’ on Sunday’s for a couple of hours. And although for the most part, it is a silent meeting, knowing we are connected helps with motivation and makes us accountable. We share what we will be writing at the beginning of the meeting and then summarize what we achieved at the end.
Outside time – this is vitally important to refresh the mind and body. It can be a walk, a bicycle ride and a hike. Whatever, works best for you within the confines of the social distancing parameters.
Writing space changes. It sounds odd but even a reorganization, a new arrangement of objects, a vase of flowers – can make all the difference. Maybe write in a different area of the house.
Reserve writing time. Make a commitment to write for a certain amount of time each day. As we all have favourite times of day to be creative – this can be before everyone gets up, when they are all asleep or maybe a time when you can be alone in the house. Don’t add to your stress by putting a word count on this time. It can be to write, of course, but also to plot, edit, note down new story ideas or even read some research.
Enter a contest. This idea will either spur you on or not. To create something new can be a good way to engage your Muse. Even if you decide not to submit your work, it is a great way to spark your creativity.
Writing prompts are also a great way to refresh the writing brain. There are a lot of sites and books available on the internet. Try a few, whether they are images, word collections or story starters. You never know where they might take you. Again my local writing group has prompts every Saturday, if you want to try. Link: https://www.wfscsherwoodpark.com/our-blog
What have you found to help your writing during COVID19?